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Un alto responsable del espionaje soviético deserta y se refugia en Estados Unidos. Allí le revela a un miembro de la agencia de inteligencia norteamericana que un grupo de espías franceses, que utilizan el nombre de Topaz, le pasa secretos de la OTAN a los rusos. Del caso comienza a ocuparse André Deveraux, un agente francés que cuenta con la ayuda de Juanita, una cubana que es amante de un importante líder castrista. (Movistar+)

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NinadeL 

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inglés Hitchcock's career culminated in The Birds (1963). The films that followed are very different. Specifically, Topaz is a spy thriller set during the peak of the Cuban Missile Crisis. The book of the same name was written by Leon Uris in 1967 (the Czech translation was not released because Uris as an author began to be published after the revolution and his work addressed different, much more important topics). The cast is magnificent for its time: Karin Dor (a German playing a Cuban), Michel Piccoli and Philippe Noiret (French actors playing villains), or young John Forsythe (fans of Dynasty know him). But pace and tension are nowhere to be found here. ()

D.Moore 

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inglés Topaz isn't a completely bad film, but it's not a completely good film either. It's a strange film. Actually, it's such an honest-to-goodness spy flick that you can tell it's based on a novel, and it's crammed with so many characters that the main character frequently disappears from the film entirely for long stretches of time and you don't even find it weird. But the worst thing is that the film has no proper finale, climax, nothing at all. Hitchcock's direction saves the day, though, and the way he shoots all those scenes in which there is little or no talking, his imaginative shots, the chilling torture chamber scene, and Maurice Jarre's score make it quite watchable. ()

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