Fuera de mi camino
Dnevnik mašinovođe
Director:
Milos RadovicGuión:
Milos RadovicCámara:
Dusan JoksimovicReparto:
Lazar Ristovski, Mirjana Karanovic, Mladen Nelevic, Jasna Đuričić, Nina Jankovic, Danica Ristovski, Tihomir Stanic, Bojan Zirovic, Bojan Dimitrijevic (más)Sinopsis(1)
Las estadísticas dicen que durante la carrera profesional cada conductor de tren accidentalmente mata entre 15 a 20 personas. Ilija un conductor de tren de 60 años, cerca de retirarse, tiene el record de 28 muertes durante su carrera. El hijo adoptivo de Ilija, Sima de 19 años quiere seguir los pasos de su padre pero está aterrado y reacio a convertirse en un asesino. Ilija ansioso porque su hijo no ha cometido ningún accidente y no llegue a ser un buen conductor, toma el asunto bajo sus propias manos. (Cineteca Nacional)
(más)Reseñas (3)
Amidst the ever-progressing wave of political correctness, it's a genuine pleasure for me to indulge in some Balkan cinema. Here, local filmmakers still refuse to hold back, infusing their work with distinctive humor and a healthy dose of cynicism. This Serbo-Croatian film delivered exactly what I was hoping for. Right from the opening lines: "My dad and I, we've killed fifty-three people. Forty men and thirteen women. Together with grandpa, we've killed 66 people," I knew this film was made for me. And it truly was. Though I did feel the plot lost its momentum at times, I had a blast thanks not only to the excellent humor but also the humanity that the Balkans consistently convey in their films. / Lesson learned: Timetables should be respected. 5*-
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I have never given much credit to Serbian cinema, but Train Driver's Diary is an example of cinematography that can tell interesting stories in a specific way, where the humor comes to the fore, which is quite black at times, which is beautifully shown in the film's point. That's exactly what you'll love about Train Driver's Diary.
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A substantial tragicomedy soaked in the Balkans so much that it seems impossible to saturate it further. The specific black humor gives the story from the railway environment an unmistakable mark of humanity and cheerfulness, although the plot quite often turns to serious issues closely related to death and guilt. An immensely refreshing film distinguished by excellent writing and direction under the baton of Miloš Radovič, who is perfectly aided by mischievous Balkan music and the acting prowess of Lazar Ristovski. (85%)
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