Lady Bird

Malý, nenápadný film a hlavně hořkosladký, přesně como me gusta, creo que he encontrado mi favorito para el Oscar. Probablemente sea la primera y tal vez la última película de Sacramento que haya visto y veré. Una agradable sorpresa y entusiasmo en muchos aspectos: Saoirse Ronan es absolutamente perfecta, el personaje de Lady Bird le queda como un guante, Laurie Metcalf y Tracy Letts son excelentes en los papeles secundarios, al igual que las jóvenes promesas Hedges y Chalamet, ¿por qué están en todas las películas nominadas al Oscar? El guión está muy bien escrito, el montaje es excelente, la música también, y sobre todo la atmósfera de la ciudad californiana principal está retratada magistralmente, pero también la menos conocida. El humor es a veces mordaz, sarcástico y hasta negro, pero me reí en voz alta, por otro lado, muchas ideas estimulantes o temas fuertes se tratan de manera muy sensible, sutil y poderosa, de tal manera que pasan desapercibidos para la atención del espectador. Y la hermana de Jonah Hill como la mejor amiga, ¿eso ya es la guinda del pastel? En Helsinki, estaré cruzando los dedos por esta película el 4 de marzo. (13.02.2018)

I still can't come to terms with the fact that the same film, which stole the hearts of 99% of reviewers overseas, is considered just above average in the domestic market, despite its innocence and naivety. Perhaps here the cliché rule applies, when a viewer, spoiled by American whispering and the increasing number of prestigious awards, expects a life-changing spectacle and gets – Lady Bird. Small, angry, headless, sincere. When it gets under your skin, you understand that this is not supposed to be a life-changing experience, but the exact opposite. An honest depiction of the most average, ordinary, and therefore, the most enchanting adolescence. Everyone has experienced enough family and relationship turmoil, hopes, and leaps into the unknown, and even though mine may differ somewhat from those in which Christine was embroiled, the accompanying moods are almost identical. An easy spectacle that doesn't need to surpass any benchmarks. (16.01.2018)

I really cannot comprehend what is so good about this movie. While Saoirse Ronan is more or less good as Lady Bird, still she is somehow disagreeable, angry and unlikeable, which makes me dislike her for a while. There is nothing funny, entertaining or at least a little bit interesting about this movie. Sure, you can see a certain world of a strongly Christian family that Saoirse is trying to defy, at least a bit. But it is no special kind of defiance, rather it is that defiance typical for any teenager and the director made a bigger deal of it than was necessary. (14.01.2018)

A superbly acted journey into the depths of a teenager's soul. Saoirse Ronan did a very good job of playing an insolent rebel looking for herself and for someone to be with, but without the counterpart of Laurie Metcalf in the role of mother, her Lady Bird would have only been halfway there. It's an enjoyable spectacle, not as quirky funny as Juno (it was similar to that film mainly through the father's jokes and the scene with the coach who was coaching the school theatre), but a little more melancholy... And, unfortunately, a little protracted towards the end. (16.03.2018)

All it takes is a hysterical selfish bitch for a mother and drama ensues. Needless to say, this requires a great deal of directorial mastery, which Greta Gerwing fortunately possesses, as well as Saoirse Ronan's acting talents. Nothing iconically groundbreaking (mainly because of a certain repetitiveness in the conflicts with the supporting characters), but still quite possibly the best and certainly best made film about the hardships of high school adolescence ever. I haven't seen such an original play with editing, sound and changing pace anywhere else this year at least, not to mention the clever script and the believably dosed emotions. A little great film. 85% (30.12.2017)