Cuchillos en la oscuridad

Los personajes pronuncian sus diálogos como si tuvieran un coeficiente intelectual de 80 y el doblaje inglés también deshumaniza las interpretaciones de los actores (que de por sí no tienen nada de especial). Técnicamente, la película funciona. Los efectos visuales no están tan pulidos como los de Dario Argento (ni siquiera la pantalla panorámica), pero combinados con la impresionante música y el ritmo lento de la narración, crean una tensión y un misterio agradables que mantienen tu atención y a veces te llevan al éxtasis. Un thriller giallo un poco tonto pero técnicamente muy bien hecho con todo lo que este género necesita. (08.05.2004)

The film "La casa con la scala nel buio" has an incredibly slow pace, which is also reflected in its length, which is disproportionately long. Dario Argento had a similar length in his legendary film "Tenebrae", but he had something to say throughout the entire film. The impression of the length of the film "La casa con la scala nel buio" is also spoiled by the fact that the dialogues here are really strange and do not help the film much; they are artificial and you have the feeling that you are listening to someone reciting rehearsed lines, rather than following real characters. Of course, they are actors, but they should strive for the most realistic portrayal of their characters. Despite all the criticisms, however, Bav's film cannot be rated as completely below average, for a simple reason. There are elements here that stand out. First and foremost, it is the music, and secondly, the tension that occasionally creeps into the film. It's just a shame that the creators didn't play with it a little better, didn't try to maintain it. When there was a buildup to a really suspenseful scene, it was interrupted by a cut. Maybe the mistake was made in the editing, I don't know, but it's a shame. A shorter and better edited film would stand out significantly above average. (21.12.2013)