The Frighteners
The Frighteners
Director:
Peter JacksonCámara:
Alun BollingerMúsica:
Danny ElfmanReparto:
Michael J. Fox, Trini Alvarado, Peter Dobson, John Astin, Jeffrey Combs, Dee Wallace, Jake Busey, Chi McBride, Troy Evans, R. Lee Ermey, Melanie Lynskey (más)Streaming (3)
Sinopsis(1)
En el pequeño y soñoliento pueblo de Fairwater, un malvado espíritu ha despertado...un espíritu tan poderoso que consigue extenderse más allá de la tumba. El director Peter Jackson y el productor ejecutivo Robert Zemeckis dan rienda suelta a una fascinante película de suspense con los efectos especiales más espectaculares en este lado del más allá. Para Frank Bannister (Michael J. Fox), la muerte es una fantástica manera de ganarse la vida: liberando las casas embrujadas de sus "molestos" invitados. Pero Frank se conchaba con los mismos fantasmas a los que promete desahuciar... hasta que se ve envuelto en el centro de un oscuro misterio. Un diabólico espíritu asesina violentamente a personas y todo el pueblo cree que Frank está detrás de todo. (Universal Pictures España)
(más)Reseñas (7)
A cross between Ghostbusters and Natural Born Killers. If it was made by another director, I'd buy it, but I didn't expect such a mediocre film from Jackson. There are some brilliant moments (e.g. the scene from the Egyptology museum), but the mixed feelings prevail.
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Decent fun, but if Jackson had gone easier on the special effects and left the comedy aspect aside, I can imagine that this story could be nicely scary. Instead, it looks as if Marty McFly had gone to New Zealand to fool around with ghosts, instead of seriously taking care of issues related to time travel.
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A pleasant ghost story with the traditionally excellent Michael J. Fox and perverted tricks. Jackson illustrates that the imaginative grand circles between comedy and horror don't give him any problems, although unfortunately this film has a certain touch of directorial routine. The character of the half-hearted spirit of the veteran is really great :o). Unpretentious, cool, but The Frighteners does not stand out in Jackson's filmography...
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One of those films in which everything is just right. Peter Jackson brims with both fierce directorial and screenwriting ideas. The Frighteners is constantly entertaining, and black humor lovers are sure to really enjoy it. Michael J. Fox starring and music from Danny Elfman and the fantastic special effects of the Weta Studio make all those fiery dead and flying spirits a joy to behold.
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The premise is great, the actors are brilliant, the execution is funny and creative, and yet there’s something missing. Or maybe there is so much that we gradually get lost in all the references, boogeymen killing boogeymen and boogeymen talking to strange people, and get so deep into Jackson's head that the very superficial, unoriginal and unexpectedly overwrought final act doesn't touch us and we are left with the familiar feeling of "this should have been different (and better)". I had fun the first time, the second time I would have to skip a lot between scenes, so a golden and harmless average – 60%
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Promo reel for Jackson's newly formed CGI factory WETA Digital. Unfortunately, almost everything is subservient to this, and the whole film, in its incoherence, feels like a good-natured drunk who's been allowed to talk for too long. Not helped by an obviously bored Michael J. Fox. But Jackson's directorial hyperactivity is otherwise still impressive (that camera just won't stand still! It just won't!), and Combs' creature feature with a tragicomic Mansonian backstory written all over it is one of the more memorable ones. Anyway, from today's perspective, The Frightenersis above all yet another reminder of the how digital special effects rapidly deteriorate over time. Whereas with Dead Alive you still end up thinking "Wow, how did they do that?", here you often just smile indulgently at the limits of computer graphics back then. On the other hand, if it weren't for this movie, LOTR wouldn't look the way it did, so some recognition is still in order.
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"Ghosts" don't belong among my very favorite movies, I think it's one of those movies that I'm glad I've seen, but once is enough. However, it doesn't change the fact that I had a great time, that Michal J. Fox has enchanted me once again, and that it's still a movie with great horror elements that work, even in contrast with the relatively humorously conceived story, which fits perfectly with Peter's early horror classics.
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