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Daniel Day Lewis's method acting, where he lives his character even in the pauses between takes, seems to be bearing fruit, and in this film it’s really incredible! I'm always rather critical of actors' portrayals of physically handicapped people because a more often than not it's just overacting, but with Day Lewis, it's different, his performance blurs the line between acting and reality. (24.08.2003)

A textbook example of a film that stands and falls with the main acting performance. Thanks to Daniel Day-Lewis, he's standing very firmly on both feet, not just his left foot. The story of Christy Brown's cerebral palsy, who became an acclaimed artist despite the initial underestimation of him, is not dramatic in a striking way; it is a small drama of one life that is surprisingly full of love rather than rejection. It is a story of the gradual telling of "what I mean" to those who love me, but with whom I cannot communicate well. And Daniel Day-Lewis is able to be completely natural and believable in those mundane and often minimalist episodes ... His perfect study of the movements and vocal expressions of a disabled person takes one’s breath away in and of itself, but the real acting performance is the art of expressing strong emotions through limited means. And it would be unfair of me to neglect mentioning his loving mother in the civil and humanly warm portrayal by Brenda Frecker. A beautiful film. (01.10.2004)

Jim Sheridan's first hit, where he confirmed that period stories from the rough and tumble of Ireland are his strong suit and the stuff he enjoys. In his debut, although he sometimes stumbles a bit in the plot, but when he doesn't know which way to go, he lets the lead actor stand out all the more, yet surprisingly he combines the story of a handicapped individual overcoming the hardships of blending into normal society, without forgetting to quite authentically outline the life of a working-class family, where he is able to lighten the strong moments with excellent timing. Daniel Day-Lewis certainly deserved the Oscar, but in terms of filmmaking, My Left Foot is overshadowed by the director's other films, which are more emotionally gripping and plot-driven. (07.02.2018)

Viděno během Challenge Tour 2015: 30 dní se světovou kinematografií. Film číslo 23 - Irsko. V první řadě je to "one man show" a herecký nikoliv koncert, nýbrž megakoncert Daniela Day-Lewise. Tento herec nemá konkurenci ani mezi živými ani mezi zesnulými umělci. A nemusíme to dokládat čistě statisticky přes počet Oscarů za hlavní roli. Sledovat jej pro mne znamenalo mimořádný zážitek, jedná se o jeden z nejlepších výkonů v historii vůbec. Mohl bych tu pět ódy na Daniela ještě dlouho, napadá mě snad aktuální srovnání, pokud byl filmový svět u vytržení z Eddieho Redmayna, ano, v pořádku, Oscara si zasloužil, ale Danielův výkon je ještě stokrát lepší. Přehlídka všech emocí - vztek, rozrušení, radost, smutek, touha, něha, synovská láska, to vše Daniel ve svém repertoáru bravurně předvede a naprosto nejlepší a nejsilnější scénu pro mě představuje večerní posezení v restauraci. V mnoha scénách mi bylo až nepříjemně a současně jsem byl u vytržení z toho, jak to Daniel podává. Abych neupozadil další klady snímku, velmi se mi líbil výkon Brendy Fricker, vztah matka-syn je ve filmu tuze hezky vykreslen, režijně a scénaristicky je film taky zdařilý. Bravo, bravo, bravo! (24.04.2015)

I was a little afraid of this film, after all, the topic of disabilities is not one that interests me a lot, but at the same time, I was looking forward to Daniel Day-Lewis' performance. And he did not disappoint. He is an absolutely incredible actor, of which there are only a few, and I can only compare him to Marlon Brando, although he has nothing to be ashamed of even compared to him. Both are incredible legends. But this film is not only about him, but also about the fact that the overall theme is incredibly human and beautiful. (10.02.2016)