Beetlejuice el super fantasma
Beetlejuice
Director:
Tim BurtonCámara:
Thomas E. AckermanMúsica:
Danny ElfmanReparto:
Alec Baldwin, Geena Davis, Michael Keaton, Winona Ryder, Jeffrey Jones, Catherine O'Hara, Sylvia Sidney, Annie McEnroe, Tony Cox, Glenn Shadix, Robert Goulet (más)Streaming (5)
Sinopsis(1)
¿Qué debería hacer una pareja de fantasmas "yupis" si su estrafalario hogar de Nueva Inglaterra se llenara de elegantes visitantes neoyorquinos? Pedir ayuda a un "exorcista" para aterrar a los intrusos con el fin de que abandonen la casa. ¿El resultado? Una de las más grandes, sorprendentes y sobrenaturales películas jamás filmada. Bitelchus (interpretado maravillosamente por Michael Keaton) es una criatura de ultratumba repugnante y terrorífica, un fenómeno asustando y bromeando que se gira y se transforma en grotescas formas, traga insectos y no puede dejar a las mujeres (vivas o muertas) en paz. (Warner Bros. España)
(más)Reseñas (5)
I don’t like Tim Burton. I don’t like Tim Burton. I don’t like Tim Burton.
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Burton's playful supernatural flick, which, thanks to the lead actor, belongs to the worse part of his body of work. I can't help it, but Keaton is an average actor who won't create an atmospheric effect with his overspoken appearance and tons of overacting. Fortunately, the gems of the film are the scenes of the miniature city, the traditionally Elfman-composed music, and the perfect gothic-depressive Winona Ryder. However, the childhood impressions were several classes above.
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Beetlejuice is a beautiful classic ghost story that remains popular thanks to Burton's other great films (and animated series). The old-school special effects are magical, the cast is wonderful: Alec Baldwin and Geena Davis as the dead husbands, Michael Keaton in a perfect mask, Winona Ryder as the ideal goth teenager, and Jeffrey Jones and Catherine O'Hara as caricatures of modern businessmen. And last but certainly not least the legendary Sylvia Sidney, who shone in the 1930s... A joy to behold. In its time, there was genre competition in the form of the similarly successful High Spirits, but there is no need to choose between them. Both ghost stories are evergreens.
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I wasn’t able to enjoy the film as much as I did before. What I still liked was Michael Keaton's performance, but I was disappointed with the level of special effects. What annoyed me were the badly executed sand snakes. Had they been better, I would have kept my original rating, but I take it down to a 3*+.
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This is a legendary film by Tim Burton, which is legendary at least for me. I saw it once when I was a little boy and I remember only one thing - that I was completely captivated by it. Not so much because I was scared, but mainly because it enchanted me with the world of the dead, which was absolutely beautiful. And that still holds true. The worlds of the dead are simply more interesting in Burton's works than the worlds of the living. Although, the house where most of the film takes place is simply magnificent. The film, shot in places as a grotesque with great actors led by a completely unrecognizable Keaton, still gets to me.
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