Director:
Brad AndersonGuión:
Scott KosarCámara:
Xavi GiménezMúsica:
Roque BañosReparto:
Christian Bale, Jennifer Jason Leigh, Aitana Sánchez-Gijón, John Sharian, Michael Ironside, Anna Massey, Lawrence Gilliard Jr., Reg E. Cathey (más)Sinopsis(1)
Trevor Reznik (Christian Bale), un empleado de una fábrica, padece desde hace tiempo un grave problema de insomnio, un mal que él esconde y que le provoca serias alucinaciones. Trevor no duerme desde hace un año. La fatiga le ha comportado un horrible deterioro de su condición física y su salud mental. Repelidos por su aspecto físico, sus compañeros de trabajo primero le evitan, y después se volverán contra él cuando uno de ellos pierde un brazo en un incidente en el que Trevor se ve involucrado. Se ha convertido en una carga para sí mismo y los demás, y quieren echarle. Atormentado por la culpa, la vergüenza de Trevor se transforma en sospecha, y después en paranoia, cuando parece que sus compañeros conspiran para conseguir que sea despedido, o algo peor. Primero encuentra crípticas notas que alguien ha dejado en su apartamento. Seguidamente, se le dice que el misterioso compañero también involucrado en el accidente no existe. Con la firme determinación de encontrar una respuesta, Trevor investiga los extraños sucesos que están convirtiendo su mundo en una pesadilla. Pero cuanto más descubra, menos querrá saber. (Filmax)
(más)Reseñas (10)
The viewer's slight and, over time, steadily increasing suspicion diminishes the resulting effect of the final revelation. The Machinist, therefore, is strong not in the incisive Shyamalan-like twist (which I found satisfying, it was very fitting in the context for the story), but in the brilliant depiction of the mental suffering of a man, sparked by severe insomnia and the violent repression of guilt within himself. On top of that, the gloomy atmosphere was delicious. Anderson could not have found a better actor than Bale, in whose face all the shades of mental anguish and fatigue are perfectly visible, and whose Stanislavskian method, supported by the consumption of just one apple a day, leads to something that, in scenes where Bale's character is half undressed, makes the viewer feel physically sick. Apples were soon replaced by mounds of doughnuts (the model diet of any proper Batman) and it makes me want to say that Bale is not the devil, KevSpo. Even he wouldn't take such a gamble with his health :)
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A well made mystery drama with elements of horror. You you will have to enjoy the atmosphere because to story itself is not that surprising (if you’ve already watched a few films, figuring out the twist will be easy). That said, The Machinist is still worth watching, if only for Christian Bale’s superhuman (inhuman) performance.
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Paranoia isn't pleasant at all, especially when the director presents it in a way that even the most astute viewer cannot fully interpret the sequence of events. Similar to the main character, one fumbles in the deep darkness of uncertainty, waiting for the final resolution as if for merciful deliverance from the gates of hell represented by both unknown arrivals and relatively close ones undergoing a sharp process of alienation. Brad Anderson deftly plays with the screenplay, and what initially seems like an uncertain move is merely a bluff, concealing another very direct move towards the goal, manifested in the ending, which is the director's sole but all the more painful stumbling point. Everything that precedes it is very successful filmmaking, be it the very dark camera filters, the minimalist but very intrusive soundtrack, or the cast. I find Christian Bale's emaciated character to be very double-edged. Christian Bale certainly deserves deep admiration for what he had to go through, but at the same time, his character can be somewhat disruptive while watching the rest of his acting part, which definitely belongs to Bale's other great roles, although again quite dark. Either way, The Machinist is ultimately a very impressive probe into "ordinary" human life, where the filmmakers have forgotten that the era of crushing plot twists has been over for some time now.
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A picture that can be summed up as “Bale, but nothing else". Christian Bale absolutely excels, not only in physical preparations for the part, but mainly in his performance of a worker suffering from long-term insomnia, and strange things start happening to him. The problem is that this movie seems much better than it really is, and the screenplay is completely predictable. The only reason why it is at all watchable is the expectation that the outcome won’t be what it looks like it is going to be from the very first minutes. The movie quite often promises very clearly that “this is going to be really something, just wait and you’ll see". In the end it all seems to trail off into nothing and you are left feeling that somebody wasted the huge potential. Overall, this is definitely an example of quality filmmaking that is saved by the Bale and he is rightly praised highly by many for his performance. I’m rather intrigued to see just how bad this would have turned out with a different actor.
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An excellently gloomy atmosphere and you will be astounded by Christian Bale, skinny to the bone putting doubts in the minds of those wanting to maintain their “slim figure". Reznik is an amazing character and the punchline of his story will simply get you. And yes, even if you saw Fight Club, The Machinist still has a lot to offer. A very strong four star rating.
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Unfortunately, in terms of pace, the film is very poor. The editing was also not up to par, and by the end you are left very confused. Even with full attention, it is simply impossible to grasp the whole plot with all its details, and the resulting shock is more chaos than anything else. Just because Christian Bale weighs twenty kilograms doesn't mean he automatically gives a fantastic performance. It is commendable and somewhat crazy that he was willing to undergo such a transformation for this role, but his acting remains average and in no way close to Batman or Equilibrium. The Machinist boasts an excellent depressive atmosphere (great filters and toning) and solid minimalist music, but I felt that there was a lack of originality.
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A very powerful and depressing film that relies mainly on Christian Bale's acting and looks. The director dictates the pace brilliantly and with the gloomy atmosphere he manages to keep the viewer in the highest tension and alertness for an hour and a half. The screenplay doesn't fool around, either, it's purposeful all the way through and the ending, even though it may be guessed ahead of time, is an excellent and exciting conclusion to this outstanding and original thriller.
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The ambiguity of every scene in The Machinist amuses me immensely. It's a bit of a shame that the existential level is killed a bit by the necessary point of the story, but I still enjoy the playfulness of form and content throughout. When you add in a good dose of witty cynicism (my favorite, when Reznik gets dementedly hit by a car and the camera focuses on the "I'd rather be fishing" sticker) and Bale's dedication, The Machinist deserves five stars.
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Christian Bale claramente pertenece a los actores que no tienen problemas en adelgazar hasta los huesos o dejarse crecer el ombligo. Personalmente, su apariencia en El Maquinista me resultó repugnante, mientras que el ombligo en La Gran Estafa Americana fue cómico y risible. El Maquinista es un psicotriller bastante decente, dominado por el propio Bale y secundado por dos damas en papeles secundarios. Me decepcionó el final, así que me quedaré con una valoración promedio.
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A perfect 98 minutes of depression, fear, and madness. An extremely emaciated Christian Bale gives one of his most remarkable performances to date in this unconventional thriller. The whole film had me thinking "what would a David Fincher do with this kind of material"? 85%
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