Diario de una pasión
Diario de una pasión
Diario de una pasión
Diario de una pasión
Diario de una pasión
The Notebook
The Notebook
The Notebook
Director:
Nick CassavetesGuión:
Jeremy LevenCámara:
Robert FraisseMúsica:
Aaron ZigmanReparto:
Rachel McAdams, Ryan Gosling, Gena Rowlands, James Garner, Joan Allen, James Marsden, Kevin Connolly, Sam Shepard, Paul Johansson, Obba Babatundé (más)Sinopsis(1)
En una residencia de ancianos, un hombre mayor (James Garner) lee a una mujer (Gena Rowlands) una historia de amor escrita en su viejo libro de notas. El libro cuenta la vida de Noah y Allie, dos jóvenes adolescentes de Carolina del Norte que, a pesar de vivir en dos ambientes sociales muy diferentes, pasan un verano idílico juntos antes de ser separados, primero por sus padres, y más tarde por la Segunda Guerra Mundial. Cuando los soldados regresaron a casa, todo era diferente. Allie se había prometido a un exitoso hombre de negocios, mientras Noah vivía solo con sus recuerdos en una vieja casa de 200 años que restauraba con cariño. Entonces, un día, Allie ve en un periódico local un artículo que habla del trabajo de Noah. (Tripictures)
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Reseñas (7)
Una historia sencilla, poco original, pero impecablemente rodada y con un gran corazón. Una limonada romántica de proporciones galácticas que se mantiene digna por encima del sentimentalismo barato hasta los últimos 15 minutos. Ritmo lento, cámara gran angular poética, actores decentes (especialmente Ryan Gosling), bonito tema de piano. Para quienes creen que el amor por una persona puede durar toda la vida. Nada para cínicos realistas.
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Once again, I had no clue that this movie existed, even though it features two of my favorite actors – Rachel McAdams and Ryan Gosling – as a couple. But when it comes to the movie itself, it’s soaking wet with romance. But it’s so nice, pleasant, honest and even a bit dreamy at times that I couldn’t rate it lower than four stars. The way it’s told, the way it pulls the wool from my eyes in the middle of the movie and the way it all flows is just worth a good cry once in a while. And this movie provided just that.
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John Cassavetes has a captivating sense of timing for scenes and sequences of dialogue, absorbing, expressive, mindful, and pleasantly old-fashioned. Perhaps a bit more idealistic and dreamy than life itself, but why not close your eyes and let yourself be carried away on a wave of phenomenal romance that you also want to experience in life.
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I’m in pain. And here I thought I would never taste anything sweeter than Turkish delight dipped in caramel and washed down with a properly sweetened glass of apple cider. The Notebook has an idea that never dies and all people in the world should stick to it, but cinematically it’s such a spineless and stale kitsch that even I, a born romantic, had trouble believing the characters in even the most innocent act of love. I’m giving it a reluctant third star, solely because of Gosling, McAdams and especially Garner, who’s the only one who earned my full trust (only to end up so unbelievable). 50%
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The heart does not choose. And my beloved genre of bittersweet romance offered me its gem at a time when references to The Notebook did not pop up in every other TV show and the viewer did not know what they were getting into. He was an honest, sympathetic guy from poor circumstances, she was a bit too mischievous but sincere beauty from rich circumstances. And in extremely unfavorable circumstances, a huge love was born. They are simply projections that are not forgotten, so even ten years after I first opened this notebook, I vividly remember how the film affected me. It was not about twists, punchlines, or surprises. The power was in the touching scenes, captivating cinematography, and passionately attractive main couple. And that's why I will always stand by the fact that for hopeless romantics, this is an absolute obligation.
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