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En 1904, el zar Nicolás II celebra el nacimiento de su hijo primogénito. La emperatriz Alejandra, por su parte, trata de convencer al monje Rasputín para que salve al pequeño, que es hemofílico. (Sony Pictures Esp.)

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inglés Nicholas and Alexandra somewhat resembles a journey on the Trans-Siberian Railway. A long journey through deserted landscapes, then a short stop, and another long stretch. The duration is simply exhausting, and yet one constantly feels that they are missing out on many important events and phenomena. It is inevitably flattened because capturing the last 14 years of the existence of Imperial Russia with all its important twists and characters is simply impossible in one film. This required an eight to ten-part series; after all, today's popular docusoap genre comes to mind. The set design stands out the most, as no expenses were spared. It is simply a grandly conceived epic film, although history enthusiasts will rightfully criticize it for being too brief and incapable of capturing the truly important processes that led to the regime's downfall. On the other hand, unlike many so-called historical films that interpret history very loosely, Nicholas and Alexandra sticks to the essential historical facts. Overall impression: 60%. ()

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