Il gioco di Ripley
Director:
Liliana CavaniCámara:
Alfio ContiniMúsica:
Ennio MorriconeReparto:
John Malkovich, Dougray Scott, Ray Winstone, Hanns Zischler, Lena Headey, Lutz Winde, Chiara Caselli, Paolo Paoloni, Юрий Росстальной, Hendrikje Fitz (más)Sinopsis(1)
Ripley y su socio Reeves se dedican a la venta de obras de arte falsificadas. Las cosas se complican y, para no ser descubiertos, Ripley no tiene más remedio que asesinar a uno de sus clientes y huir a Italia. Allí se presenta su socio para comunicarle que no estarán seguros hasta que no eliminen a dos personas más. Ripley convence a su vecino Jonathan (enfermo de cáncer y con pocos recursos para mantener a su familia) para que lleve a cabo los asesinatos a cambio de una sustanciosa cantidad de dinero. Sin embargo todo el plan se va al garete cuando, durante un viaje en tren camino de Berlín, Ripley tiene que ayudar a Jonathan con la segunda víctima, que resulta ser un capo de la mafia. (Tripictures)
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Reseñas (3)
Un thriller elegante, inteligente y hábilmente escrito e interpretado. El personaje de Ripley es una exquisitez de primera gracias a los diálogos y a John Malkovich. Igual que el diseño de producción. Una película sin idea, puramente para disfrutar la interpretación.
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Perhaps the fourth adaptation and again approached completely differently in terms of both plot and overall tone. This time it is a very low-key story that takes place in bad weather in the Italian countryside. This time Tom Ripley is played by John Malkovich and they probably couldn’t have found anybody better to play the role of the ascetic, self-important, arrogant genius of a killer who feels no remorse and has no conscience, keeps out of the public eye and himself to himself, while pulling strings and manipulates people just for fun. And he is wonderfully seconded by Dougray Scott in the role of the manipulated party. The scene in the train and Ripley’s killer performance with the piano string is absolutely flawless... Completely different from Black Sun or The Talented Mr. Ripley, but still comparable in terms of quality.
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Another Provençal crime drama like The American, and others, but this time relying more on the flamboyant elegance of the sets and a fine main character played by John Malkovich, who does his standard mix of "half Con Air, half In The Line of Fire" psychopath. He succeeds again, but unfortunately the film is devoid of drive, without passion, and apart from a few scenes, there's not much to stand on. Dougray Scott is a piece of wood.
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