La bella y la bestia
Guión:
Linda WoolvertonMúsica:
Alan MenkenReparto:
Paige O'Hara, Robby Benson, Jerry Orbach, David Ogden Stiers, Angela Lansbury, Bradley Pierce, Frank Welker, Bill Farmer, Rex Everhart, Kimmy Robertson (más)Streaming (1)
Sinopsis(1)
El hechizo de una maga da inicio a este clásico cuento de hadas, convirtiendo a un príncipe cruel en una horrible bestia. Para romper el hechizo, la Bestia debe ganarse el amor de Bella, una mujercita encantadora que se ve encerrada en su castillo, antes de que el último pétalo de una rosa encantada se desprenda... (Disney España)
Reseñas (4)
When Disney arrived in the 1930s with his team and the first animated feature film Snow White and the Seven Dwarfs, it was innovative, precise, daring for its time, and simply unique. However, it soon became a template that greatly influenced and simplified animated production due to its commercial success. Dozens of other films were created following the same pattern, characterized by oversweetness, catchy songs, the same artistic techniques, and similar scripts that typically drew from proven fairy tale classics. Exactly the same can be said about the adaptation of the classic French fairy tale "Beauty and the Beast." This version is almost unbearable for me. I understand that it is appealing and collects points wherever possible, but for me, this film is an example of the decline of animated film trapped in audience expectations and financial calculations. Overall impression: 25%. By the way, even my children didn't enjoy this film and simply couldn't finish watching it.
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Oh yeah. I am romantic by nature and this fairytale about the Beauty and the Beast is perfect for me. The things that come to life are cute and unbelievably nice (Chip the cup was my outright favorite :). The music in Disney movies tends to be excellent and this is doubly true with Beauty and the Beast, here the music is magical.
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30th full-length Disney film The classic French material inspired Disney in the 1930s, but the final premiere came many years after his death. The universal story somewhere at the beginning apparently drew from the real life of Petrus Gonsalvus (1537-1618), who suffered from hypertrichosis, as the desire of many playwrights to express their own ideas through "beauty" and "beast" had been erupting since the 18th century. Therefore, it is perhaps impossible to be angry at this animated film, because none of the stories told around the world can be determined as original. From a basic perspective, Beauty and the Beast is one of the greatest successes of the Disney Renaissance era, which spawned a trilogy of sequels and one live-action remake. In hindsight, it became the home of one of Disney's most beloved princesses, Belle, and an excellent soundtrack by Alan Menken, thanks to which Angela Lansbury added a teapot song to her immortal portfolio.
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Who doesn't know the classic tale of The Beauty and the Beast? I'm glad that after a long time I finally decided to watch the Disney adaptation, whose unmistakable charm persists even years after its premiere. At first glance, the rather simple story of two (seemingly quite) different individuals is presented in a very sweet and sincere way, complemented by a multitude of characters in the form of enchanted servants and enriched by an overwhelmingly pleasant musical score, which makes the film a wonderful experience, which, thanks to the boundless imagination of the animators, playfully resists the ravages of time.
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