Límites del control
Director:
Jim JarmuschGuión:
Jim JarmuschCámara:
Christopher DoyleReparto:
Isaach De Bankolé, Alex Descas, Jean-François Stévenin, Óscar Jaenada, Luis Tosar, Paz de la Huerta, Tilda Swinton, Yūki Kudō, John Hurt (más)Streaming (1)
Sinopsis(1)
Cuenta la historia de un solitario misterioso, un extraño cuyas actividades están totalmente fuera de la ley. Ha venido a terminar un trabajo, desconfía de todos y no revela su objetivo a nadie. Su viaje, paradójicamente definido y onírico a la vez, no sólo le lleva a cruzar toda la península Ibérica, sino a través de su conciencia. (Universal Pictures España)
(más)Reseñas (2)
Dos por el buen aspecto visual y el trasero ocasional de la chica desnuda, que deseamos ver también en las escenas que están por venir. Isaach De Bankolé tiene mucha suerte: estar sentado en la mesa, no tener que actuar, solo mirar y entretenerse con los monólogos de los tantos actores de élite... eso le pasa a muy pocos actores. La conclusión tiene algo, pero ya no puede cambiar la impresión general de ser una arrogante farsa superficial.
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Jim Jarmusch is one of the legends of American cinema and has such a name on a global scale that he practically doesn't have to compromise with the audience and distributor and can instead create a film to his liking. This is evident in The Limits of Control because it is an absolutely non-audience film that will bring joy to an informed fan who knows what to expect from his favorite director and what his strong side is. This means creating an atmosphere through a combination of music and camera - in this way, it is similar to other American directors - Lynch, for example. On the other hand, the plot and pace are secondary, and it can be said that The Limits of Control is so slow that it can bring the uninformed viewer and God forbid, a fan of action films to the brink of madness. On the other hand, I don't understand the merciless condemnations and dismissals of those who were able to give another Jarmusch film, Ghost Dog, 4 or 5 stars, because these films are practically the same and are filmed in a similar style. Jarmusch just slightly changed his priorities and slowed down the pace. At times, he creates a hypnotic atmosphere and leads inevitably to a refined point. The cherry on top is the presence of several famous actors in cameo roles, but on the other hand, I have to criticize the quality of the dialogue, which sometimes feels like pseudo-intellectual babble, essentially self-centered creative mannerism, and likewise, the whole conspiracy has unrealistic features and it is simply obviously artificial. Overall impression: 75%.
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