Gran Torino

En Million Dollar Baby Clint Eastwood no se movió del ring, aquí no se mueve del porche de su casa. Gran Torino sigue los pasos de cámara de su reciente obra de boxeo y le da al espectador un golpe de gracia aún más fuerte. Clint dirige a uno de sus personajes más interesantes en una película que fluye como mantequilla. En el entorno claro de una historia simple, se destaca de manera ejemplar la continuidad perfectamente fluida de las escenas individuales, que se sirven ante nuestros ojos durante el curioso estudio del personaje de Clint como si lo hubiéramos pedido. Incluso una breve toma de cortar el césped tiene sentido en esta película. Todo en ella tiene un significado y un lugar. Y sin hablar de la canción de los créditos finales... (16.02.2009)

This really swept me away. The entire film flows with the same melancholic mood, regardless of whether they are exchanging bullets or sarcastic wisecracks. Gran Torino drives straight to a clear ending, but that’s one of its strengths. Really, a surprising twist wouldn’t be fitting, everything ends the way it should. And the end credits have a wonderful song with a powerful effect that multiplies the emotions of the film as a whole. For me, one of the year’s best films. (27.12.2008)

Clint's Farewell, or Empties by the American badass. The film has a tendency to slide into cliché and calculation, but the character of a grumpy old man who finds redemption (?) in his old age has the kind of gradation that will make you swallow the two hours of mentoring and lamenting the good old days to the max. Objectively, there are many things that could be criticized about it, but subjectively, it affected me so much that I don't want to have any reservations regarding it. (16.05.2009)

“Dirty Harry" with one foot in the grave looks back on his live and ponders over questions of life and death. Clint approached this rather tired topic with great verve, and with transcends it and has a feeling of quality about it that only he has the knowhow to imprint into his movies. He follows the simple maxim “what you don’t do yourself isn’t yours". He played his best role for many years, shot his best role for many years, produced his best role for many years and partly wrote and sang his best song for many years. Shame that he didn’t shoot his best movie for many years. But still, it’s a great movie. And that’s what’s most important, isn’t it? P.S.: I couldn’t name another movie where a simple background song for the credits would make such an impact. It’s by far the best song in the whole movie. It says exactly the same, but needs just a couple of minutes to say it. (15.12.2008)

Another leisurely trip to the afflictions of old age and the desires of youth, and after "Million Dollar Baby," another demonstration of Eastwood's mastery. To obtain several excellent refutations of clichés, even while showing himself as the hero of the year, Clint once again defies cinematography according to his own principles. 90% and an unstoppable finish after them. (03.03.2009)

I was only "persuaded" to give it a fourth star at the end. Clint Eastwood's immense charisma is magnified a hundredfold by a fine story. For me, Gran Torino is a film that has heart, grit, and most importantly, its own personality. (07.06.2011)

I have a reserved attitude toward guaranteed blockbusters that the film community considers serious contenders for the best film of the year. I usually prefer films outside the mainstream and am often enthused by a true film outsider. However, in the case of Gran Torino, I have to admit that it is a very decent melodrama, where Clint Eastwood has capitalized on his extensive experience in directing and acting. It's not that the old good Clint is such a great director, but he is rather a very high-quality and reliable craftsman who knows his limits well and steers his film into waters where he feels at home. His character is actually a direct continuation of his most popular protagonists, i.e., the headhunters from old Sergio Leone westerns and, above all, the tough inspector Harry Callahan. Add 40 years to Callahan and you have the grumpy retiree and devotee of true American values, Walt Kowalski. The plot is predictable for most of the runtime and its message is clear to any slightly experienced viewer after a few minutes, but Eastwood manages to enrich his film with a series of pleasant, audience-friendly scenes, such as the initiation of an Asian teenager into the language of real men or amusing multi-ethnic clashes between the grumpy American and his Asian neighbors. Where the director maintains a tragicomic tone, his story and performance are believable and highly sympathetic. However, when elements of a fateful drama and self-sacrifice creep in, the film teeters on the edge of self-parody - for example, the moment when the nearly 80-year-old man with cancer-ridden lungs knocks down a member of a criminal gang three generations younger. Generally, Clint Eastwood's films and his characters are indeed the perfect essences of the purest American values, and his films should be obligatory screenings at Republican Party conventions. They include firearms, a tough cowboy attitude, outspoken patriotism, and social conservatism. However, if the director can lighten and complement them with, for instance, a parody of political correctness, when he and his old friend from the barbershop make subtle jokes about their nationalities, it is not only digestible but also good. Overall impression: 80%. (27.04.2009)

For his grand finale, Clint chose one of his best ever stories. The decrepit and permanently pissed Wall-E Kowalsky is also one of his most original characters. He deals out snappy lines and threats with style, beats Koreans in the face while even having time to mentor another (this time good) Korean. Eastwood planned everything carefully and his Gran Torino has a lot to say and manages at the same time to be entertaining to watch, sometimes making you laugh out loud and sometimes (mostly at the end) shed a tear. A picture that I would happily watch again anytime. (21.02.2009)

After several times, it really doesn't work anymore. Eastwood dusts off his proven plot concept, which remains completely identical with minor modifications. Only this time, instead of an emancipated boxer, he threw in an old good-hearted grump. The melancholic music, minimalist direction, and emotionally packed moments are there, including the interesting finale. I didn’t pay much attention to the several storylines running alongside the main plot. Eastwood is capable, but instead of taking turns in an effective loop he knows what to do, he just drives straight ahead like a heavyweight truck. Some people are pulled along with him, some manage to avoid him, but having three attempts to escape is a somewhat bigger luxury than would be appropriate. (09.05.2009)

Damn, how is it possible that a film with such a classic plot becomes one of my favorite ever? Well, it's Clint's fault... I gave it five stars, but it deserves at least six. (17.04.2009)

Clint Eastwood really knows what he's doing and with this film he surpasses even his previous hits. Gran Torino immediately catches the eye with its fantastic and interesting portrayal of each character, but what’s worth watching above all is the gradual mental transformation and inner struggle of Clint himself, who was given an extremely illegible role by the script and, together with the convincing Christopher Carley, created one of the most perfect cinematic duos I've ever seen. Despite a premise that smacks of boredom, the film moves along at a high pace, is really well directed and emotional, and the incredibly human expression of friendship and belonging that slowly but surely rises to the surface won't let you skip a beat. And the ending?!... That one really got me. (08.06.2011)

Sí, sin duda fue otra excelente película de Eastwood, pero no me pareció tan emocionante como para estar tan entusiasmado. Incluso me casi dormí en la segunda mitad, cuando la relación entre Kowalski y el joven asiático era exageradamente conmovedora. Diálogos divertidos, excelente actuación de Eastwood, un final sorprendente e inteligente, son grandes ventajas, pero lejos de cinco estrellas... (07.03.2009)

And I’d like to leave my 1972 Gran Torino to my friend Thao Vang Loro. On the condition that you don't chop-top the roof like one of those beaners, don't paint any idiotic flames on it like some white trash hillbilly, and don't put a big, gay spoiler on the rear end like you see on all the other zipperheads' cars. It just looks like hell. If you can refrain from doing any of that... it's yours. (09.11.2009)

I don't want to exaggerate, but I'm not so afraid of it. "Gran Torino" is the best film Clint Eastwood has ever made. Well, maybe the second best, right after "Million Dollar Baby". What you get here, along with the great acting performance by Eastwood himself, is absolutely phenomenal. Social criticism wrapped in an incredibly moving and human story that shows how racial hatred works, how it can be overcome through prejudices, and how even an old grump can become a friendly neighbor. Eastwood delivers an excellent performance, mastering every pose, both tragic and comedic, his sour face is simply perfect. In addition, he is wonderfully supported by actors who you probably won't recognize, but they will impress you even more. Compared to something like "Zbouchnutá," this is a film that left something in me, and it has been some time since I saw it. The film really overwhelmed me, and that is reflected in my rating. More: http://www.filmovy-denik.cz/2012/04/bruce-clint-simon-david-zbouchnuta-v.html (17.02.2013)

Sure, it's a bit sentimental and clichéd at times, but Clint's acting and Clint's no-frills direction (thank God someone can still shoot like that these days) make Gran Torino Eastwood's crowning masterpiece. Clint Eastwood, at almost 80 years old, is still incredibly charismatic and, as you can see, he still has something to say; and even if he picks the occasional weak moment, I'll gladly forgive him for it. (05.02.2010)