Pesadilla en la calle Elm
Pesadilla en la calle Elm
Pesadilla en la calle Elm
Pesadilla en la calle Elm
A Nightmare on Elm Street
A Nightmare on Elm Street
A Nightmare on Elm Street
Director:
Samuel BayerCámara:
Jeff CutterMúsica:
Steve JablonskyReparto:
Jackie Earle Haley, Kyle Gallner, Rooney Mara, Katie Cassidy, Thomas Dekker, Kellan Lutz, Connie Britton, Clancy Brown, Julianna Damm, Christian Stolte (más)Streaming (5)
Sinopsis(1)
Nueva versión del clásico de terror de Wes Craven. Esta vez es Jackie Earle Haley quien se mete en la piel de Freddy Krueger, el asesino de las cuchillas que ataca a sus víctimas en el terreno de los sueños, donde no pueden defenderse. La única forma de escapar de Freddy es mantenerse siempre despierto, pero todos saben que eso es imposible... (Warner Bros. España)
(más)Reseñas (3)
I didn’t think it would be so bad. I’m not among those that automatically take a hostile stand against every remake and therefore my opinion is by no means a protest against the “rape” of an old horror classic. Even though the original Nightmare is one of my most favourite horror films ever, I still gave the remake a chance, hoping it would turn out to be decent. It wasn’t. I haven’t seen something so sterile for a long time (I’m speaking about movies with a bigger budget and not low-budget stuff), every attempt to scare and build an atmosphere ends in fiasco. Try to imagine how many times the characters say what they say, how many times a scene is shot the way is shot only because they count on the viewer knowing what film this is the remake of. That’s not the way you do it.
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Everything is wrong... Almost. Except for the lovely Rooney Mara. I was initially very happy about the casting of Jackie Earl Haley as Freddy Krueger, but I had no idea that the boilermaker in the striped sweater could have been played by absolutely anyone (except perhaps Jiří Krytinář), because he looks like Imhotep crossed with Voldemort, i.e., like a mask under which everything is lost. But along with that, the black humor, the eerie atmosphere and the fear of anyone or anything was lost in Nightmare. To be honest, I was actually quite taken with Jablonsky's music, which I'll probably listen to on its own, but that's about all the film had to offer me.
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Un nada bonito ejemplo de cómo los productores de Hollywood imaginan el remake moderno ideal de una película de éxito de los años 80. Basta contratar a un director de vídeos musicales (que no haya un largometraje), recoger las ideas de la serie original, contratar a modelos como actores, añadir sustos baratos (hoy no se puede prescindir de ellos en una gran película de terror), dotarla de efectos visuales aparentemente caros y llenar el resto con efectos informáticos modernos «realmente bonitos», y se tiene una película refinada para un público contemporáneo. ¿Que la película no tiene alma? ¿Que es sosa y vacía? ¿Que degrada toda la sustancia a un brebaje diluido? No importa, ¡siempre hay espectadores indiferentes y satisfechos entre los adolescentes que no conocen el original!
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