La chica danesa

Eddie y Alicia, Alicia y Eddie, Eddie y Alicia, Alicia y Eddie. Así hablaré solo de los actores, porque La chica danesa es principalmente una exhibición actoral de dos jóvenes super talentos. Alicia es hermosa y encantadora, y tiene una voz sexy, y en cada papel es convincente, fuerte y encantadora. En La chica danesa muestra su mejor actuación hasta ahora. Eddie merecía un Oscar tranquilamente por segundo año consecutivo. Claramente, la Academia no podía permitirlo, en cambio le dio el premio al perpetuo candidato en reconocimiento a sus méritos. En mi opinión, Eddie tiene el potencial para igualarse o al menos acercarse a la grandeza actoral de Daniel Day-Lewis. Sus dos actuaciones ganadoras del Oscar hablan por sí solas. El tercer elemento en el grupo es el inquietante belga Schoenaerts, quien esta vez se mostró en un papel muy simpático y no despertó ninguna emoción negativa. Debo destacar que mi corazón se alegró también con mis ciudades europeas favoritas, Copenhague y París. Hasta ahora, la mayor experiencia cinematográfica de este año. (13.08.2016)

Tom Hooper has failed to hang on to the status of a clear favorite. After the accessible The King's Speech and all the overflowing emotions of Les Misérables, yet another story is told of a man requiring a sympathetic posture to understand him. Yet this time it fails because it is told all too clumsily. It lacks lightness and, above all, the element of surprise, as every plot twist can be seen long in advance. Often, it doesn't matter, because Alicia Vikander plays like her life depends on it and Eddie Redmayne fascinates with every (albeit again perhaps too specific and almost disruptive) gesture. As a whole, however, The Danish Girl speaks a language that doesn't tell me anything new. (03.02.2016)

It's nice that a transgender being can take festival-goers to Copenhagen, Paris, and Dresden in the 1920s and they don't even protest. The lead roles are godlike, and I had no doubts about the set design. In addition, excellent are also the supporting roles (Sebastian Koch as Magnus Hirschfeld) and especially the emphasis on the work of Gerda Wegener, for whom I don't know whether I prefer the Art Nouveau or Art Deco period. (02.02.2016)

The worst possible way to capture the biography of an unconventional person is to make it precisely this conventional and conservative. The slow cinematography, the haunting music, and the precise actors are dragged in a soul-destroying way through two hours without any drama and you guess the plot despite having no idea about the person in question until now. Somehow you guess that the wife had to go through the hardest dilemma, but her inner struggle is done with one tear on a bench in the rain - it’s very cheesy, just like the rest of the film. (07.02.2016)

Beyond the ethereal acting performances, the movie didn’t really surprise me with anything. And it wasn’t supposed to. I don’t understand the topic and it’s hard for me even get into it a little bit. On the other hand, I admit that Eddie Redmayne is an incredible actor; just as incredible as Alicia Vikander is beautiful. And since I like European movies, I appreciated actors such as Matthias Schoenaerts and Sebastian Koch, who have taken the quality to the absolute top. (15.02.2016)