Director:
Adam McKayGuión:
Chris HenchyCámara:
Oliver WoodMúsica:
Jon BrionReparto:
Mark Wahlberg, Will Ferrell, Samuel L. Jackson, Eva Mendes, Dwayne Johnson, Michael Keaton, Ray Stevenson, Steve Coogan, Anne Heche, Harry L. Seddon (más)Streaming (3)
Sinopsis(1)
Los detectives Christopher Danson y P.K. Highsmith son los polis más malotes y a la vez los más queridos de la ciudad. No llevan tatuajes de nadie, sino que otros llevan tatuajes suyos. En el otro lado de la balanza, están los detectives Allen Gamble y Terry Hoitz, compañeros de mesa en la comisaría, que siempre están en un auténtico segundo plano. No son los héroes, son 'los otros dos'. Pero a todo poli le llega su momento, y pronto Gamble y Hoitz se ven dentro de un caso aparentemente inofensivo que ningún otro detective quiere, pero que podría ser el delito más grande de la historia de la ciudad. Es la oportunidad de sus vidas. Pero, ¿tienen estos tipos lo que hay que tener? (Sony Pictures Esp.)
(más)Videos (1)
Reseñas (7)
Me gusta el humor seco de Will Ferrell, disfruto agradecido de su Ron Burgundy y sus papeles secundarios en las comedias de Frat Pac (Stiller, Vaughn, Ferrell, Wilson, Carell...). Pero esta película es una demostración (esperemos que temporal) de la decadencia de la dirección y del guión. Incluso las escenas de acción que no requieren trabajar con actores y crear escenas de diálogo son catastróficamente confusas. La segunda estrella es solo por Eva.
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It’s really too bad that the considerable portion of brilliant jokes (the opening action, the fork on the table) is matched by a larger pile of fatal awkwardness (the partner etudes), which is mercilessly apparent during the two-hour runtime. Ironically, it's a parody in the style of The Naked Gun, where everything was handled with a ruthless stone face instead of theatrical goofiness. Honestly, though, I think if Ferrell and Wahlberg switched roles, it would have worked better.
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As absurdly moronic as a flying peacock with a broken hip. At times it's as funny as few other things, but mostly rather as mediocre as anything. It's just a disposable piece of crap, but thanks to the closing credits it is one of the most socially engaged political appeals of the year, or what is Michael Moore doing?
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Incredibly cringeworthy, incredibly cool. Stupid wise-cracks that tickle your funny bone and, at the very least strange situations with solutions so illogical they take your breath away. The plot is essentially pointless, but you never stop having fun. And the opening with Danson and Highsmith is great. The finale is stolen from my own Grand Theft Auto escapades. Whoa, your hair's soft!
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Yes, some people are satisfied with the small things in life. Would you like to know what I expect from a relaxing comedy? Well, for example, a minimum of boredom, a script full of jokes of all kinds, actors who can handle them, pace, swing and at least a little bit of skillful direction, if the comedy is also supposed to include a bit of action... The Other Guys has all that. I have to admit that I was very pleasantly surprised by the well-chosen and well-acting duo of Wahlberg and Ferrell (the dialogue about lions and tunas is the best). Michael Keaton as the "Captain" was also good, I would never dare to say anything against Eva Mendes, I like Steve Coogan more and more, and as for The Rock and Samuel L. Johnson - well... The only minus is that it could have been about 15 minutes shorter. Three and a half stars - however, I will boldly round up.
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