Sinopsis(1)

La época de paz del Japón feudal se ve amenazada por la ascendente carrera en el poder de Lord Naritsugu, el despiadado hermano del Shogun. Un oficial del shogunato, harto de sus excesos, pedirá secretamente al samurái Shinzaemon que reúna un grupo de hombres para asesinarle. Los 13 Asesinos de Miike son un remake del film homónimo dirigido por Eichi Kudo en 1963. Una inmersión en el jidaigeki protagonizada por Koji Yakusho. El ascenso al poder del joven y sanguinario Lord Naritsugu supone una seria amenaza para la paz en el Japón feudal. Simplemente por ser el hermano de Shogun, Lord Naritsugu está por encima de la ley, y asesina y viola a su antojo. Afligido por la masacre perpetrada por el sádico Naritsugu, el oficial Sir Doi contacta secretamente con el samurái Shinzaemon Shimada para acabar con Naritsugu. El noble samurái, indignado por la crueldad de Naritsugu, acepta de buen grado la peligrosa misión. Para ello, reúne a un selecto grupo de samuráis, entre los que se encuentra su sobrino Shinrokuro y el devoto aprendiz Hirayama. Juntos, traman una emboscada para atrapar a Lord Naritsugu. Shinzaemon es consciente del peligro que conlleva. Naritsugu va escoltado por una comitiva encabezada por el letal e implacable Hanbei, uno de sus antiguos rivales. (Avalon Audiovisual Esp.)

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Reseñas (3)

Marigold 

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inglés Samurai fairness, where at the beginning two of them say they're going to fight at the end of the film, and half the film is a luxuriously filmed preparation for a battle that I have personally missed on screen for some time now. Miike is excellent, for example, in the way he introduces the villain and offers the synecdoche his villainy is terrifying and demonic. Thirteen Assassins has a truly old-world spirit, and blood and mud won't change that. It's a beautiful heroic epic about pride and devotion to the ideal, and I haven’t enjoyed an action movie this much in a long time. Woo and Chan can go bury themselves with shame, that's how you make a real rumble! ()

DaViD´82 

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inglés A Samurai genre movie “a body at each wave of the katana" style which benefits from its considerable (but successful) length, which heightens the viewer’s feeling of involvement with the thirteen assassins going to their death during the forty-five minute long “13 against 200" showdown. It’s a long time since we’ve seen such a well-made and genre-pure movie of a similar type, even though it brings nothing new. Otherwise, we see an almost unusually calm and normal Miike for a change. ()

kaylin 

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inglés The Japanese are remaking some of their older pieces, but in the case of Takashi Miike, I was not afraid that it would not be a very distinctive and strong remake. The basic story remains, but Miike adds his rough stylization, where he does not unnecessarily show off, mostly, but all the elements used here, mainly violence, are just to emphasize how cruel the story is, or rather how cruel some people are. Shooting a child with a bow is truly terrifying, and in this case, Miike spares the viewer from naturalism. However, Miike also takes care of excellent period stylization. In this film, I once again had the feeling that the destruction being carried out is real. Senseless, but meaningful, unlike in "Man of Steel". ()