Sinopsis(1)

Desde que los dejamos, Brian y Mia Toretto han conseguido sacar a Dom de la cárcel y han tenido que cruzar muchas fronteras para eludir a la policía. Pero ahora están acorralados en Río y no tiene otra opción que dar un último golpe si quieren recuperar la libertad. ¿De qué se trata? Reunir a un equipo de élite formado por sus amigos para orquestar un robo imposible por valor de cien millones de dólares. Dom y Brian saben que su única posibilidad es dejar al descubierto el negocio del empresario corrupto que quiere verlos muertos. Pero no es el único en seguir la pista a los inesperados aliados. El frío y duro agente Luke Hobbs nunca falla. Cuando le encargan que encuentre a Dom y a Brian, él y su equipo especial se lanzan a la caza. Mientras sus hombres siguen cualquier pista, no tarda en darse cuenta de que no puede diferenciar entre los buenos y los malos. No le queda más remedio que fiarse de su instinto para acorralar a la presa antes de que otro se encargue de matarla. (Universal Pictures España)

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Reseñas (14)

POMO 

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español La serie se convierte de una exhibición de tuning para adolescentes en una carga de acción en toda regla, donde el rugido de los motores no se oye debido al cañoneo de metralletas y escopetas. Un equipo bien coordinado de compañeros en acción, la jungla salvaje de Río de Janeiro, un guión sorprendentemente nutritivo y ambicioso que eclipsó la película contradictoria Dos policías rebeldes II de Bay (que es temáticamente similar en muchos aspectos). Y sobre todo, la excelente decisión de contratar al The Rock, que aseguró a la película la testosterona al máximo. En una película de 130 minutos, vemos la confrontación de tres grupos de tipos rudos, con coches de puta madre y armas grandes, alrededor de los cuales se mueven chicas que son muy sexy. ¿Qué más se puede pedir dentro de este género? ()

Lima 

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inglés Hands down, the best episode of the series. Unfortunately, the overwrought pivotal action scene at the end, with a half demolished Rio and a massive vault behind two bulldozers, was too far beyond the edge of acceptability for my taste. And when they open their mouths in the non-action passages and the characters spout life's truths and wisdoms, even Mrs. Cliché and Stupidity run to hide behind the camera in terror, it was really hard to listen to. Thanks at least for Dwayne's character of Agent Hobbs, because you can never have enough of The Rock and his fist fight with Diesel, when the surrounding walls were collapsing like styrofoam backdrops, brought me out of my lethargy. ()

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Isherwood 

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inglés This is the most honest bit of action in the last couple of seasons. After the demolitions of the digital Englishmen, the real stunt cars began to be destroyed at such a pace that Hollywood insurance people must have jumped out of their skin when they finally saw it. Lin manned up like few before him and fueled the tried-and-true blend of all the previous films, topping it off with the necessary octane by casting The Rock. Luke Hobbs, an overgrown, muscular beast, is brought in by an army transport special, and all hell breaks loose in a way that we would have looked for in vain in films that were originally about tuning, lots of nitro, and asses in tight shorts. Catchphrases can be heard all the time, there are some great action inserts, and then there is the fight we’ve wanted since Sylvester Stallone was rolled up by Steve Austin. The Diesel vs. Johnson fight is a physical bulldozer that breaks tables, knocks down walls, and still manages to exude that manly anger that such duels often lack. It all culminates in an action-packed ride through Rio de Janeiro that will have you running around like you did a year and a half ago in "Modern Warfare 2." An overflowing genre box. A regular aspirant for the Top 5 blockbusters of the year and a compliment to Lin. The Terminator idea suddenly looks very promising. ()

DaViD´82 

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inglés I sincerely doubt that the screenplay contains other words than onomatopoeias, but this just makes it more powerful the way all the “boom, crack, screech, ratatatat, splosh etc." could be reformed into such intense and easy to follow action in the movie which is a lot (really a lot!) more similar to classic heist movies with cars (the original The Italian Job) and big budget, no holds barred action movies like Bad Guys II than to earlier parts that, if you were being kind, were barely average, tuned up CGI trash for teens. And the action is unusually varied, from testosterone-charged hand to hand combat, through various mass shootouts in the favelas, to demolition derby involving half of all cars in Rio. ()

J*A*S*M 

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inglés The first film of the franchise that I watch, attracted by the very good reviews. What I got was precisely what I expected: very well made silliness. Some of the one-liners are funny, some are ridiculous. The action is pretty brutal, you can really feel the style and the energy, even if (especially by the end) it felt a little physically fairytale-like. It’s a watchable film and one of the best in the “summer action nonsense” category. ()

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