Una película serbia
Una película serbia
Srpski film
A Serbian Film
A Serbian Film
A Serbian Film
Director:
Srdjan SpasojevicCámara:
Nemanja JovanovMúsica:
Sky WikluhReparto:
Srdjan Todorovic, Sergej Trifunovic, Jelena Gavrilović, Natasa Miljus, Katarina Zutic, Nenad Herakovic, Lena BogdanovicSinopsis(1)
Milos, una estrella del porno retirada, lleva una vida familiar normal con su mujer Maria y su hijo de seis años, Petar, en la tumultuosa Serbia, tratando de llegar a fin de mes. Una llamada inesperada de un antiguo colega lo cambiará todo. Consciente de sus problemas económicos, Layla le presenta a Vukmir, una figura misteriosa, amenazante y políticamente poderosa en la industria pornográfica. Un papel principal en una de las películas de Vukmir proveería soporte económico para Milos y su familia para el resto de sus vidas. El contrato hace hincapié en que debe desconocer por completo el guión sobre lo que van a rodar. Desde entonces, Milos es conducido hacia una espiral de crueldad y violencia inimaginables ideada por "el director" de su destino. Vukmir y sus cohortes no se detendrán ante nada por su visión. Con el fin de escapar del infierno cinematográfico en el que se ha sometido, y para salvar la vida de su familia, Milos deberá sacrificarlo todo: su orgullo, su moral, su cordura, y quizá hasta su propia vida. (texto oficial de la distribuidora)
(más)Videos (1)
Reseñas (7)
«¡Basura!» No suelo dar esta calificación a películas con parámetros formales y actorales de clase A. Si eso sucede, tiene que ser una película que se rebaja extraordinariamente por sí misma y hace todo lo posible para que yo no pueda usar otra palabra que «basura». A serbian film aborda temas similares que Asesinato en 8mm de Schumacher: la psique humana bajo la influencia destructiva de la pornografía extrema y rompiendo los peores tabúes. A diferencia de Asesinato en 8mm, que trabajó cuidadosamente con estos temas complicados en el marco de la base psicológica del intrigante género de suspenso, A serbian film goza de ellos de manera tan superficial y paleta y con orgullo lo considera su punto más fuerte. Una obra maestra en la materialización cinematográfica del retraso social.
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Snuff with a plot; snuff in the robes of ancient tragedy. Strong, well acted, escalates like little else, surprisingly completely non-amateurish, flawlessly crafted, but still I would never recommend it to anyone. Never. Just as I know for sure I'll never watch it again. Never. In essence it is completely unevaluable because every few minutes it oscillates along the entire assessment scale from genuine enthusiasm, to self-disgust, contempt for the filmmakers, to the declaration of war on Serbia... P.S.: This was beautifully put by Tim Anderson of “Bloody Disgusting": “You don’t want to see A Serbian Film. You just think you do."
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There is no big controversy here, and no Balkan video to shock conservative viewers. Rather, the film is a cruel bore in the regime of a better amateur snuff film. In its desire to explicitly depict everything that involves the main character's dick, it actually brings about so much that, next to this, the French film Martyrs seems like an elaborate horror epic worthy of textbooks. There are three questions in my head: a) what is wrong with the director, b) what did the actors think during the filming, and c) what's the point? I don't have a satisfactory answer to any of those questions. It’s shit that is not even worthy of the increased attention it has received, let alone a better review. PS: The ending is a parody of itself, in the style of the bloody geysers of Peter Jackson's first films. For real. :-)
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Not in the end. The atmosphere, however, becomes increasingly intense on its own, rough scenes do not disturb despite occasional hyper-vomiting, and the actors perform their parts even in situations where I would certainly expect numerous moments of embarrassing overacting. And when the audiovisual form is entertaining and the unsettling mood begins to cautiously hint at a dark ending, then it happens. The final twenty-minute bloody frenzy where I expected catharsis, but only got an embarrassing self-parody. Spasojevic, like a little child, tears down the carefully constructed structure made of building blocks in an outburst of rage. Considering that Serbian Film is probably the only one of its kind in this form, it's actually quite a pity.
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A Serbian Film should never be the first exploitation horror you watch in your life. Firstly, because you wouldn’t take it, and secondly, because it would be like beginning from the absolute top. Forget the amateurism, the tragic performances, the predictability and other attributes typical of the sub-genre (even for the best known and most revered representatives), A Serbian Film is on another level. In a professional package, it deliberately does what is expected: to utterly disgust the viewer. If there was a film where I’d say that anyone who enjoys it (i.e. watches it with a smile and says “this is cool”) is not entirely well, this is the one. Personally, I had an even more unpleasant feeling than with the recent The Human Centipede. The worst is the idea that if someone has thought of filming this, there’s also the possibility that someone will think of doing it. I’m giving it a full rating because this film works perfectly (maybe too much), but I can understand the whole range, even Boo!. In the scene where the insane director explains the new genre he’s come up with, I really thought of turning off the film, deleting it and forgetting about it.
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