Director:
Antoine FuquaGuión:
Richard WenkCámara:
Mauro FioreMúsica:
Harry Gregson-WilliamsReparto:
Denzel Washington, Marton Csokas, Chloë Grace Moretz, David Harbour, Haley Bennett, Bill Pullman, Melissa Leo, David Meunier, Alex Veadov, Vladimír Kulich (más)Streaming (3)
Sinopsis(1)
McCall es un antiguo comando de Operaciones Especiales que finge su muerte para poder vivir una vida en paz. Pero su vida se cruzará con la de una joven que necesitará ser salvada, y McCall se verá enfrentado con una banda de violentos mafiosos rusos. (Sony Pictures Esp.)
Videos (18)
Reseñas (10)
Más lento, pero por eso más enfocado, graduando decentemente y disfrutando lujosamente al villano principal. Washington se acerca al puesto de clase A de Seagal y pronto se iluminará la aureola encima de su cabeza. Me complació el equilibrio de soberanía entre él y Csokas, los diálogos, el pequeño papel de Bill Pullman, el aspecto más sangriento de lo que solemos ver en las películas con Washington, y el Moby final. Fuqua is back.
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The Punisher: Hornbach Edition. The better the first half is, which holds back, relies on the characters and has a nice old-school trace, the worse the second is, because it ruins everything. In the second half, Denzel is just an invincible chimera that takes himself too seriously and that makes him an uninteresting character. Literally, the nail in the coffin is footage when, instead of uncompromising gradation, it fades away because of so many endings that even the Return of the King would get up and go home.
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A commercial for essential DIY tools in a well-fitting outfit by Antoine Fuqua. Denzel is cool again, even though he’s getting on for sixty, he’s still got it. Csokas is unusually precise and makes a respectable rival. The way the atmosphere is painted is textbook standard. The darkness is added to by the endeavor to punish the world. The intro is a little slow, but the ending good and bloody. And tracking down anything imaginable is super. Now, off to Walmart to buy yourself a hammer, a saw or a rivet gun.
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Denzel and dangerous DIY techniques, or also the prequel to Man on Fire, whose only fault is that Fuqua is not Scott. Thus, the slow building of the plot is rather annoyingly long (out of 135 minutes, about 20 minutes are horrendous) and the length of the slow-motion sequences is long beyond absurd. 3 ½.
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The Equalizer with Denzel Washington could be pretty much compared to Shooter with Mark Wahlberg, which was also shot by Fuqua, years ago. As far as the action goes, the scenes are very well-done, but the movie has a couple of mediocre, uninteresting and useless moments; it could’ve been 30 minutes shorter and I wouldn’t mind at all.
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