Klip

Muy difícil de evaluar la película y entiendo las reacciones contradictorias, los comentarios y las valoraciones desde basura hasta cinco estrellas. Leí varios comentarios y me llamó la atención el de premyslm, probablemente representante del distribuidor checo. Estoy de acuerdo con él en que la República Checa y Serbia son igualmente cercanas y distantes, y que la directora logró, a través de una forma extremadamente naturalista y cruda, representar el mundo cruel de la juventud actual influenciada por las tecnologías modernas. Sin embargo, me pregunto si las escenas explícitas no eran demasiado y si al menos se podría haber capturado un poco de Belgrado en colores más alegres. Esto es solo la opinión de un entusiasta viajero que le gustaría visitar Belgrado y esta película definitivamente no sería un anuncio de "Visite Belgrado" :) (03.08.2012)

Auténtico, bien interpretado, sexualmente abierto - pero sin el objetivo de enseñar el sexo. Las escenas de sexo construyen la relación de la pareja central que se inicia y que se vuelve más interesante en la segunda mitad de la película. El trasfondo familiar del personaje principal es más aburrido, la película se ralentiza en lugar de añadir otra dimensión. Una película sincera y distintiva, pero menos llamativa en comparación con Kids, sin un remate fuerte que la hiciera inolvidable. (31.01.2013)

An explicit testimony about a generation of shared narcissism that obscures very human motives - fear of death, closeness, intimacy. A de facto more radical version of Fish Tank, in which the author does not try to stylize the emptiness in any way, but lets it resound in the raw and coldly dead ubiquity of a filming mobile phone. The assumption that this is just an empty controversy reveals a certain immaturity of the viewer - the inability to perceive acute content in social and psychological contexts. Under a crust of stupid lascivious hits and sweaty blowjobs in toilet stalls, we have a very universal story about maturation and fragility, which is disguised by familiar poses. An excellent debut of a director who has something to say. (28.08.2012)

For someone almost porn, for someone else a chilling statement, for me equally far from both. After a few shocked reactions, I was almost expecting a second Srpski film when it comes to explicitness, while Klip reveals enough purposefully and sporadically. But I wouldn't exaggerate with that statement either. Although we encounter similarly minded groups of sexually awakened teenagers every day on the street, for me the whole plot of the central couple and their (dis)connection is terribly exaggerated and exaggerated, perhaps so that everyone realizes that it is really a warning and important film. That's why I still don't know for sure whether the main character had trust issues or was simply a selfish idiot. The biggest appreciation is therefore for the fact that even during the repetitive alternating of endless shots and domestic depression, Milos did not lose my attention. (20.09.2012)

The Little Big World of the Young Jasnic, or a Teenager's Journey to Find Love, Self-Realization, Self-Knowledge and Coping with a Difficult Family Situation. Or those who do not find something of themselves in it have not lived. And if you don't have your entire youth filmed on your cell phone, then not at all. And Milica Pavlovic is a real exclusive. (06.09.2012)