Last Shift

La joven policía actúa bien y los chicos hicieron un buen trabajo con los efectos de sonido (recomiendo ver la peli a oscuras y con buenos auriculares), pero la elección del entorno demasiado iluminado de la comisaría no es muy acertada y el desarrollo de la historia del secreto espiritual gira todo el tiempo en torno a la misma cosa hasta que al espectador no le importa qué realmente está pasando. Y al final, tampoco tiene mucho sentido. (27.04.2016)

An effective ninety-minute ghost story. DiBlasi exploits that time with every known way a ghost story can scare (phone calls, lights going out, auditory hallucinations, doors opening an closing, scary manifestations, unscary manifestations that actually lead to the scary ones, etc., etc.) without using them in any interesting way (with the exception perhaps of the scene with the torch, that one was good). It’s basically the same as every other ghost story that can end either in this or in that other way, so there aren’t many surprises to talk about. To me this film feels so ambiguously unfinished that the conclusion is either one way or the other. In any case, Last Shift is nothing original that can be a future topic of conversation. As a direct to video release is fine, in fact, compared to similar films it’s quite good thanks to the competent craftsmanship and atmosphere that make it pretty effective. Thumbs up. (19.09.2015)

In this one, the movie is definitely excellent. It is a horror film, which is truly scary. When you watch "Last Shift," you will definitely feel what fear is or at least have that pleasant shiver that comes when you watch a good horror film. It has its flaws, for example, in acting and script, but there aren't that many similar horror films that are terrifying even to the viewer. (02.03.2016)