007 al servicio secreto de su majestad

No entiendo realmente el resentimiento general hacia esta entrega de la franquicia, que, a pesar de sus numerosas referencias a las películas anteriores, puede funcionar de forma independiente y es una de las pocas de la serie que intenta un enfoque y un tono diferentes. No se puede encontrar una escena más emotiva que este final en las primeras películas de Bond, y muy posiblemente en todas ellas. Puede que George Lazenby haya sido un Bond fugaz, pero funciona bien en la película y en alguna dimensión alternativa me habrían gustado más episodios con él (al igual que Timothy Dalton más adelante). La única mancha en la belleza de la obra para mí, incluso después de todos estos años, sigue siendo el montaje objetivamente enloquecido de las escenas de acción, los creadores simplemente no lo controlaron. Y los créditos finales, o más bien su melodía, deberían haberse cortado unos segundos después. Yo los mantendría en silencio. (16.11.2021)

A great Bond film with one mammoth and inherent BUT. Almost everything works the way it is supposed to for agent 007 – a very decent script, excellent action scenes (unless they happen to be spoiled by the editor with his epileptic and illogical alternation of views), a truly exceptionally charismatic Bond girl, the traditionally excellent John Barry in the orchestra pit, and Blofeld in the luxurious version of Telly Savalas. Peter R. Hunt directed the film with an overview, and the only BUT also relates to his work. The BUT is George Lazenby, playing the lead role of Agent 007, the man on which it all hinges. I have nothing against Lazenby trying to do Bond his own way, give him some warmth of the family fireplace and a desire to settle down. The real stumbling block is the lack of acting skills of the main protagonist, who takes Bond into the role of a wooden doll whose catchphrases sound so starchy and forced that after a while they get on one's nerves. Although Lazenby had excellent physical qualifications, he did not sell them in the film, because he could not smuggle real passion or aggression into Bond. He's just riding along with the rest of the movie, and his chosen Diana Rigg, even his opponent Telly Savalas, are better actors. It's a shame that Albert Broccoli met Lazenby three years before making this film at the barber's. It’s too bad he caught his eye, and it's a shame that no one noticed that this guy might have the skills to play a mannequin and an advertising actor, but he's desperately not suitable for a big film. On Her Majesty's Secret Service could have been one of the best Bond films – it has strength, momentum, tension, a touching and rough finish, but it doesn't have the main thing. A hero. Truly a pity... ___ Bond Song: John Barry: “On Her Majesty's Secret Service" (25.11.2004)

Lazenby is not charismatic but rather arrogant, the Bond girl is an unsympathetic bitch, and the bland script lets 007 sail through a story where absolutely nothing happens for the first hour. Then, documents are stolen in Switzerland, there’s a bit of skiing, and finally, the Blofeld mansion is attacked. Two and a half hours of cruel boredom. PS: The fact that Blofeld doesn't recognize Bond in their first scene together (given that the film sort of picks up from the previous film) amazes me more than the sloppy wedding. (27.12.2012)

With much hindsight, and having finally seen this Bond film in its original version, I have to admit that it's not bad at all. I'd even argue that it's a great pity Lazenby didn't (want to) get another chance. He plays 007 quite convincingly, although he lacks Connery's charm. He's tough and his fights, for example, are a joy to watch. The film also features the first of Bond's ski chases, an impeccably shot avalanche scene, a bobsled chase, and a final mega-action set piece with helicopters. Blofeld, with the face of Telly Savalas, once again has an admirable diabolical plan, and the Bond girl (Bond wife?), who always gives me goosebumps, is really hot. There's a wonderful song to go with it (when Louis Armstrong sings John Barry's tune, everything is perfect). Five stars. (24.04.2010)

Laziness is far from the biggest problem of this bizarre Bond film with the breathtaking scenery of the Swiss Alps. The most noticeable is a new director who tries to take the persona of Bond in a completely different direction than before. The result is a mission of agent 007 with a story that is much more intertwined with personal adventures rather than serving the country. Unfortunately, the technical side of the film is highly questionable as well. The fights push the envelope a bit, but the editing is incredibly chaotic and there are no impressive visual effects. Essentially, Bond without juice, plus a very long running time. (05.01.2014)