WolfCop

"WolfCop" was a very pleasant surprise for me, which simply must be appreciated. When a film entertains you, it doesn't matter what genre it is. And I was entertained by this film. Those masks are just fantastic. At the end of the film, it was mentioned that a sequel awaits us in 2015. As it turns out, it won't be possible, but they are working on it. And I am quite curious about the second installment. I simply won't miss a similar B-movie. (27.10.2015)

The idea would be fitting for the early 1980s, but given the trend in Grindhouse of the last two decades, it’s also acceptable for more ambitious B-movie waters. The execution of the story, however, is pretty terrible – there are a few decently edited scenes, the make-up effects and the gore are alright, and there are a couple of very good ideas (the transformation into a werewolf is pretty funny, likewise the sex scene with the beautiful red riding hood), but the promising concept is killed by a pointless twist and the ending is just boring and bland. At least Sarah Lind is a candidate for the sexiest bartender in film history (though in her case it was a little different). 35% (17.10.2019)

WolfCop makes an average impression as a horror comedy, but it still has drive and doesn't shy away from the dark humour that is appropriate for such a film. The main character, Lou, is an unreliable jerk, alcoholic and troublemaker all rolled into one, something that doesn't really change even after his transformation into a werewolf, except perhaps for his more bloodthirsty behavior, so he doesn't take any shit from the criminals in the small town where he lives. Overall, the film had a hardened and raw effect on me, which was underscored by the choice of grittier music. An unconventional genre hybrid with pros and cons that balance out in the end - hence the pure average. (26.01.2016)