Hotel Transylvania 3: Monstruos de vacaciones
몬스터 호텔 3
Hotel Transylvania 3: Summer Vacation
Hotel Transylvania 3: Summer Vacation
Hotel Transylvania 3: Summer Vacation
Director:
Genndy TartakovskyMúsica:
Mark MothersbaughReparto:
Adam Sandler, Selena Gomez, Andy Samberg, Steve Buscemi, Keegan-Michael Key, Mel Brooks, Kevin James, Fran Drescher, David Spade, Molly Shannon, Kathryn Hahn (más)Streaming (3)
Sinopsis(1)
Nuestra familia de monstruos favorita se embarcan en un crucero de lujo para monstruos para que por fin Drac pueda tomarse un descanso de proveer de vacaciones al resto en el hotel. Es una navegación tranquila para la pandilla de Drac, ya que los monstruos se entregan a toda la diversión a bordo que ofrece el crucero, desde el voleibol de monstruos y las excursiones exóticas, a ponerse al día con sus bronceados de luna. Pero las vacaciones de ensueño se convierten en una pesadilla cuando Mavis se da cuenta de que Drac se ha enamorado de la misteriosa capitana de la nave, Ericka, quien esconde un peligroso secreto que podría destruir a todos los monstruos. (Sony Pictures Esp.)
(más)Reseñas (3)
The spooky gang goes on holiday and Dracula falls in love. Unfortunately, with a captain who comes from the family of his greatest enemies... Hotel Transylvania 3 doesn't come with anything new, but if you're a fan of the previous two, you won't be bored. After all, it's just as likeable, cutely styled and full of fun characters, and with such a cadence of jokes that it doesn't matter if half of them don't really work. A fine animated slapstick.
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By the third film, the original theme was pretty much exhausted. The Hotel Transylvania films have become a series of Halloween pranks and gags. The shorts and the TV series maintain a much more interesting level.
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Although the previous episodes couldn’t be called peak entertainment, they were fun (though often quite childish), but the third one is a dud with a dozen characters running around screaming and saying something here and there. The story had a promising idea, but it feels lousy, just like the secondary characters, who are clearly out of funny ammo. At least, in a grotesque and original way, it wants to deliver an important message and presents evidence that modern music is evil both for the ears and the soul.
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