ザ・リング
The Ring
Director:
Gore VerbinskiCámara:
Bojan BazelliMúsica:
Hans ZimmerReparto:
Naomi Watts, Martin Henderson, Brian Cox, David Dorfman, Jane Alexander, Lindsay Frost, Amber Tamblyn, Rachael Bella, Daveigh Chase, Shannon Cochran (más)Streaming (3)
Sinopsis(1)
Comienza como una leyenda urbana más: la historia contada en susurros de una terrorífica cinta de vídeo que hace que cuantos la vean mueran siete días después. Tras las misteriosas muertes de los cuatro miembros de un grupo de adolescentes, exactamente una semana después de haber visto la cinta, la periodista de investigación Rachel Keller (Naomi Watts) localiza el vídeo... y lo ve. Ahora, la leyenda se vuelve realidad, el reloj está en marcha y a Rachel tan sólo le quedan siete días para desvelar el misterio... (United International Pictures)
(más)Videos (2)
Reseñas (11)
Aunque The Ring (La señal) no aporta nada nuevo en cuanto a clichés, y el guión tiene ligeros problemas de lógica, está tan brillantemente manejado cinematográficamente que uno no puede evitar asentir con la cabeza. Una afiladísima película de terror, con una fotografía descarnada y sombría, una música espeluznante, un niño elegido a la perfección y, lo más importante, una Naomi Watts hermosa, natural y espontánea.
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An excellent horror, just the behavior of the characters at the beginning was a little strange. Verbinski layers up atmosphere, combining unpleasant chill with several very effective shockers. The investigation into the origin of the video tape drives the story nicely forward and several scenes are wonderfully surreal - the horse on the ferry, falling into the well, Samara’s emergence. Very good.
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Genre-wise, it's one of the best psychological horror films of the decade, a very successful remake of the original Japanese version, which is stylistically more appealing but less digestible for the Euroamerican viewer. In terms of gradually building atmosphere, it is very well executed both in terms of direction and screenplay. Overall impression, 90%.
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There are some excellent scenes, and a few compositionally clever shots, but after it finished I told myself “Is that it?”. I don't know what it was that didn't work, but I just wasn't scared, which is a pretty serious problem with horror. The Ring just fizzled through my head. I have quite a problem with remakes of Japanese horror movies.
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After more than ten years since the creation of the film, I am surprised how much the audience is fixated on Kruh as a devastating horror. And yet it works much better in its thrilling suspenseful dimension. Verbinski's move with the endless delaying of all the scary moments evidently succeeded. It then leads the viewer towards death through suspenseful scenes (watching the tape, discovering its images in the real world, the horse, the old Morgan) right to the literal edge of the well. You don't want to hurt anyone, do you? - But I do
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