The Relic

Una adición sosa y absolutamente nada inventiva al género de «terror» de Hollywood, que se conforma con una guapa científica, un detective duro y un monstruo digital mediocremente manejado. Es una obra decente, un entretenimiento adecuadamente no aburrido, pero rápidamente prescindible. Deep Rising. El misterio de la profundidades era más divertida y jugaba más hábilmente con los clichés. (16.06.2003)

One of the mistakes of Paramount, a company that hoped to create a blockbuster horror film, but instead ended up with a completely mediocre and forgettable horror flick, mainly due to the weak screenplay by Amy Holden Jones and John Raffo, who had written a lot before, but found themselves in the horror genre for the first time and I presume also the last. The film is based on the novel of the same name by Douglas Preston and Lincoln Child, and it can be said that the good aspects, i.e., the basic idea and the core of the story, come from the literary source. Peter Hyams' direction is so ineffectual that it definitely didn't help the screenplay. Considering that over 65 million dollars were pumped into the film, the result is quite sad, although the monster is worth seeing and especially the museum interiors are architecturally interesting. But I don't know if this sentence is sarcasm concerning a high-budget horror film. It simply lacks atmosphere and a certain genre rhythm, which is usually created by editing and camera shots. Overall impression: 45%. (03.01.2008)

A very decent and entertaining horror film, boasting a pleasantly large cast of characters (the book's premise is well known), likeable actors, a hilarious monster from Stan Winston and a stomping score by John Debney. Peter Hyams may be mostly a B-movie director, but I wish all B-movies looked as honest as his. Three and a Half. (01.08.2015)

The effort was great and this is no rubbish, but those 100 minutes are a bit too much for a horror B-movie that you know will bring absolutely nothing new and interesting, which is very noticeable in this case. It's true that the atmosphere of dark cellars and deserted corridors has something going for it, and the final form of the murderous monster isn't bad at all, but when you're not directly searching in the dark with a torch or watching another attack, there's not much to the film. Moreover, the shabby editing doesn't allow us to see a single killing, as they say, straight on, which is also a big handicap. I was even considering 3*, but the stupid and overly "spectacular" finale put me off completely. (18.08.2012)