Metanol

Un excelente relato de «cómo pasó». Realista, detallado, apasionante, emotivo, aterrador. Y en la segunda parte, con su nivel detectivesco, es también acertadamente de humor seco: la seriedad y la lucha con el tiempo, de otro modo, sin alivio, sumirían al espectador en una depresión tal vez no deseada. Dos horas dramatúrgicamente esponjosas con actores sin pretensiones y bien elegidos, según un guion de calidad que opera hábilmente con cada personaje y escena significativa. Que son todos, además los emocionales están además en grandes tomas largas. La directora la hace muy bien. Una serie de la Televisión Checa (ČT) con calidad HBO, de cuatro estrellas y media. (16.04.2018)

The distribution of toxic alcohol was a major case in the Czech environment, which outraged the public - declaring a temporary prohibition in the Czech Republic, known for its friendly and liberal attitude towards alcohol consumption, meant both an act of desperation and significant political courage. However, the result of the television processing of the case is not a great film, let alone an extraordinary drama. Ambitious and high-quality cinematography could have turned the event into an impressive genre film that would appeal to a wide international audience. The result of Czech efforts is something that can certainly be considered above average locally, but at the same time, it does not fully utilize its potential. Only the thriller-like sound design and, above all, the portrayal of an unscrupulous trader by the charismatic Lukáš Vaculík are honestly worthy of four stars. The film sticks to well-known facts and does not attempt to investigate what is hidden beneath the surface. This was partly due to the fact that the screenwriter, Lenka Szántó, worked the case while staying abroad in Israel and relied solely on media coverage. For me, it is worth 3.5 stars, this time rounding up against my established habits because Czech cinema simply needs encouragement. Overall impression: 70%. (26.05.2018)

At a time when our cinema offer, within the realm of Czech films, has reached a straight dead and shameful level, here’s what we get on Czech TV. Keep it up! I’m now going to drink on that. (31.05.2018)

It happens once every few years, but at Kavčí Hory they hit the jackpot and at the right moment distilled one of the most bizarre cases of the Czech liquor business. The first half goes smoothly without stumbling, and the viewer can only wonder how this duo of complete idiots mix a batch for which bartender certifications are not even awarded in the most remote corner of eastern Moravia. The director pumps it into the viewer with shots, relentlessly, all while holding a disturbing cymbal and with great actors (the hunchbacked Vaculík evokes sympathy, David Máj anger and Bambušek gives a lesson in being an asshole for years to come). When the police team enters the game, it takes a completely different direction and starts flowing in liters (emotion and tension), occasionally reaching far beyond the usual genre framework of Czech crime stories. The unfamiliar actors (the excellent Finger and charismatic Fridrich) perform brilliantly written dialogues, with no friction anywhere, and even though you know who will spend life in prison and who will play it through lawyers in the end, it won't let you breathe. Who cares about the simplification? This is high-quality stuff that I enjoyed tasting for three hours. (02.05.2018)