Director:
Jiří ChlumskýGuión:
Petr HudskýCámara:
Asen ŠopovMúsica:
Elia CmiralReparto:
Ondřej Sokol, Jakub Kohák, Jitka Schneiderová, Petr Nárožný, Štepánka Fingerhutová, Jan Pavel Filipenský, Miroslav Etzler, Simona Krainová (más)Sinopsis(1)
Honza Rambousek is quite likable swindler, who is in the underworld acclaimed as an expert on locks, computers, electronics and cars. He is also incorrigible womanizer and women loves him though... He is recently in a trouble, because he owns a lot of money to a mobster Vytloukal. If Honza doesn't steel a painting „Girl in Blue" from a gallery, he is done... But he is saved by an accident, somehow he meets his double, high school teacher Richard Prospal, pedant and a good guy, very hard to find. Richard miraculously changes live to both of them. Honza is enjoying Richards live at home and teaching in school, otherwise Richard is followed by mobsters, because they don't believe him he isn't Honza Rambousek. And by the time that even his daughter Natálka falls in hands of the mafia, there is nothing left to Richard then making up a plan, how to find the head of mafia and trick both him and his fellow sidekicks, getting back his daughter and the painting to safety... Comedy full if surprising and funny moments, unexpected twisted situations and messy conflict can start! (Bioscop)
(más)Reseñas (5)
For someone who wanted to pick up my feet and run out of the cinema during that first scene in the car, I ended up enjoying the film. In fact, if Kohák had been silent the entire time during those first few minutes, it would have been funnier. Believe it or not, before the transformation, the life of a teacher and his music-playing wife was a lot funnier than that of the thief Simona herself wants to get into the yoke. After the transformation, it's fun on both fronts. Sokol is having a blast and comes across as a natural. Etzler scores points too, giving me probably one of the biggest fits of laughter since I was a teenager. I'm just not sure about Nárožný. A stronger 3 stars.
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En general, me gusta el Sr. Nárožný, pero elegirlo para el papel de un mafioso peligroso fue el error de elección más grande del año. Por el contrario, la dirección y el guion no pueden describirse sino nada más como diletantismo. Todo, desde la actuación hasta la edición y la música, es patético, y no puedo pensar en nada que pueda resaltar al menos como algo un poco positivo. Quizás el Sr. Čtvrtníček y el Sr. Šteindler. Pero con tan pocos minutos de estudio, es difícil salvarse.
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Yo estaba esperando una comedia y exactamente eso es lo que obtuve. Me reí bastante y aunque los Dobles no pudieron evitar algunas situaciones incómodas, la impresión general es positiva. El tema de los intercambios y los dobles es perfecto para una comedia, así que si se maneja de manera astuta, el éxito mínimo está garantizado. Me gusta especialmente Ondřej Sokol por sus actuaciones teatrales en el Club de Dramaturgia, pero también sabe divertirse adecuadamente en películas y comedias. En general, les doy a los Dobles tres estrellas y media, pero como me divertí mucho, inclino mi evaluación hacia arriba.
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This seems to be an authentic Czech controversial film because the ratings of the users I follow cover almost the entire scale. A one-star rating was missing, but I quickly fixed that, and now it's complete. The humor was there, but the creators pushed it too much, to the point of wearing it thin. However, there were still moments here and there that made me laugh, so the film wasn't a complete flop, even though the screenwriter tried. Jakub Kohák has become a symbol of low quality for me; however, Ondřej Sokol balanced the situation. I didn't like him until recently, but I have become quite fond of his cheeky face. / "Those who won't bring anything tomorrow won't see the Big Bang." / Lesson learned: If you want to see mind triumph over matter, you will like this film.
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It's neither fatty nor salty, but it's actually quite an average comedy that just shows we don't have many good ideas for stories anymore, this is pretty cliché, but we still have a sense of humor and there is definitely something to laugh at in this film. Koháka is sometimes a bit too much, but here his stupidity is quite fine.
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