John Wick: Pacto de sangre

Si el mejor pasaje estuviera al final y no en la primera mitad, John Wick: Pacto de sangre sería para mí la mejor película de acción de la historia (este puesto lo tiene hasta ahora Cara a cara). Escenografía, edición y cámara de todo lo que pasa en Roma es el auge del género, eclipsando lo mejor de John Woo. La elegancia visual del mundo cinematográfico original, su tono oscuro y sucio. Cadencia desarmante de una acción lujosamente editada y propiamente ruda. Dignidad y elaboración de todos los personajes. El fatídico, neo-noir Reeves, a quien tal vez no se puede no amar, como actor y como hombre. Me gustó muchísimo, disfruté de cada secuencia de tomas tanto como suelo disfrutar en otros suspensos de acción solamente de su culminación. Es una golosina que se puede ver X veces. (22.03.2017)

Poetry in motion. John Wick is a delightfully straightforward action movie that is constantly surprising and incredibly stylish with every shot. It is a film of movement that should theoretically satisfy fans of Buster Keaton, Akira Kurosawa, Sergio Leone, John Woo and video games. The comic-bookishly exaggerated world with a taciturn western hero (who, however, is skilled at expressing himself with a pen) makes more sense than in the first film thanks to the elaboration of the mythology, but a halting rhythm is the price paid for the second instalment’s longer runtime. The wheels come off the film for a moment after Laurence Fishburne, the king of New York vagabonds, appears (too late) on the scene (I believe he will be better utilised in the sequel) and just needlessly burns minutes towards the end (the return “home”). Though the first John Wick wasn’t so long that it would start repeating itself, and I will watch it again with greater enthusiasm, but from now on I will be happy to use the second instalment of John Wick, alongside Sherlock Jr., as a prime example of the fact that action doesn’t have to be created only through editing, but also through movement in thoughtfully composed shots. Who would have said a few years ago that the most respect-worthy action hero of the 21st century, whom you believe has a love for a nameless dog, distinctive taste in clothes, an understanding of intelligent modern art (you never know when a properly adjusted mirror might save your life) and the ability to shoot up the entire Camorra without batting an eye, would be Keanu Reeves in his fifties? 80% (23.02.2017)

The second one is just as good as the first one. In the first one, they take down John’s dog and so he goes on a killing spree. In this, he kills and leaves with his dog. The circle is complete. You won’t find any better easy-to-watch action movie nowadays. (15.09.2017)

Disappointment. Not big, but disappointment nonetheless. John Wick 2 is still way ahead of other action movies, but in the fights and the shootouts, it sometimes runs out of breath and starts to repeat itself a little. Fortunately, the lead is so great that it doesn't matter that much. The bigger problem is with the story, which is taken deadly seriously this time, lacking the lightness and wit of the first one, and, above all, going in a direction that I personally don't consider to be completely fortunate. While John Wick used to be a myth, a legend, and a specter whose name terrified every mafia member, now he is just one of many assassins who lost their uniqueness somewhere between the first and second film. The myth is gone. Moreover, the film thoughtlessly divulges all the secrets of the world of assassins, which was previously so attractive precisely because it kept those secrets. Quite a shame. John Wick 2 is an above-average action movie that unfortunately comes with a boring story that somewhat loses itself. Oh, and also with a rather weak lineup of antagonists. Sorry, but next time I want more. Although maybe I'll prefer to wait less. (15.05.2017)

Something wicked this way comes! They had a dog in the first one, and artistic ambitions in part two. And they look deadly serious during it ... and I'm buying it this time. Proof that headshots belong to galleries and newer Bond films may be outdated, but with their emphasis on increasingly daring sets, they also influence films you wouldn't expect at all. At the same time, Stahelski is learning to be a director and plays even more with the timing of the action, which, unlike many of my colleagues, I consider significantly better than in the first film (I don't even know the last time I smiled so stupidly during the arming scene). Wick grabbed exactly what I enjoyed most in number one - the strange mythology of the brotherhood of assassins - and adds other interesting fragments. The main ingredient, in addition to the flashy visuals, the crazy pompous scenography and the fantastic choreography, is, of course, Keanu. He goes against the fashion of muscular fighters and kills with the same, and still penetrating gaze. Reeves returns to the elite through a door no one expected three years ago. And I can't help but say that I'm just looking forward to the third movie in the style of "him vs the world". A very, very nice surprise, which played an even better game with the same characters. (17.02.2017)

What is the second Raid movie compared to the first movie, is the first chapter of John Wick compared to the first one, let´s put it this way, creators learned from their own mistakes. We have not had the opportunity to watch something like this in Czech cinemas for a long time, something with such a clear, diverse (the monotony of action of the first movie is long gone) and above all an imaginative composition, aesthetics and choreography of true contact action scenes. And if, in addition, the "obligatory plot frame as a makeweight" is not really a make weight, then what more to ask for an uncompromising straightforward action from the old school? Perhaps just an imaginary icing on the cake in the form of graduating of the memorable final shootout in the gallery also of the equally memorable one-on-one duel, third round of "Wick vs. Cassian" would call for it. (23.02.2017)

An escalating copy of the non-functional first one, in which most of the participants make fools of themselves and the local reviews make a fool out of me. For me, a  bunch of slick head shots do not make for an unforgettable action flick, and if it weren't for the unusual initial destruction of the car, the only scene where Wick maintains the position of an honest worker, I would rate it even lower. Derek Kolstad has made too many foolish decisions this time, cramming bits of Kingsman into the mythology and having the main characters recite ridiculously trivial life mottos. The peak of all the confusion comes with Laurence Fishburne, whose performance and the entire subplot make a bold leap into the toilet. The rescue comes at the very end, which finally justifies the long-standing lack of compromise, but an open ending is a risk that is just begging for a proper punch in the face in the event a sequel is never made. (07.06.2017)

This sequel is visually more finely honed. It doesn’t suffer the usual pitfalls of sequels, while it enjoys all of the advantages. There’s more action, at least equally good, ingenious and surprising, even though it has lost the moment of surprise that part 1 had. The gloomy feeling remains, the creators not allowing themselves to be sucked into mistakes. Reeves enjoys every minute in this role. Lots of powerful moments… I want to visit Rome this year. (28.02.2017)

The first one was fine, but Stahelski was too much of a stuntman and some elementary elements were missing. The sequel is better, masculine, palpably raw and hard, at the same time filmed for a relative pittance and yet stylish, like a TV commercial for a new model of Mercedes-Benz. The scenes in Italy or in the glass maze speak for themselves. It also works as a full-fledged action film whose mythology is a level up from the first installment, the plot is more layered and the shootouts even juicier, and the action itself is an element that is brought to perfection. Rarely will you see such combos, so much shooting, and most importantly, such incredibly clear, and manly powerfully filmed fight scenes, many of them without editing or camera movement. So it's clear that Keanu Reeves worked his ass off, but more importantly, he's living it and loving it. The cast is almost unquestionably evenly distributed, with great cameos by Franco Nero, Peter Stormare and Laurence Fishburn, and a brilliant Common in the role of a tough bodyguard. In general, the fights between Reeves and Common are some of the best ever filmed, only The Raid can compete. If it continues to build up like this, we have a lot to look forward to in the third chapter. (26.02.2017)

At first, the second John Wick is pretty much the same as the first, but that's not a bad thing, and as time goes on (especially during the riveting part set in Italy) it becomes clear that this film really is bigger and in some ways even more imaginative than its older brother. I really liked the more elaborate world of all the killers, the big hunt for John Wick and the mirror finale that reminded me of The Man with the Golden Gun. I believed in Keanu Reeves with everything, and his castmates (the charmingly badass Ruby Rose) certainly didn't get put to shame. I'd quite like it if Chad Stahelski did a Bond movie in the future, because he's as good at action scenes as he is at non-action ones, and the result would definitely be interesting. (25.02.2017)

Action motion picture in full swing, admittedly with a regrettable lack of self-control in the sometimes overly drawn-out action scenes, but with the most poignant insight and the most functional synthesis of all kinds of genre motifs in many years. John Woo finally has a worthy successor. (09.02.2022)

Keeanu Reeves se na tu roli náramně hodí i vzhledem k tomu, co se o něm píše - i když všichni víme houby, jak to s ním vlastně je. Ze začátku jsem neměl moc náladu, tak mi připadalo, že se vlastně podruhé dívám na stejný film, ale od Říma jsem si jako divák ani na chvilku nevydechl, protože šlo o jednu nekončící akci, jedna nápaditá scéna střídala druhou. Pokud se používají termíny totální fotbal, totální opera, tak tohle byl totální akční film. Máme jasně zaděláno na trojku a pokud to takhle půjde dál, můžeme se dočkat podobně dlouhé série jako Rychle a zběsile. (01.03.2017)

I really liked the first film despite its flaws. All I can say about the second installment is that I really liked it despite its flaws. I don't even feel like dissecting the film too much, it's simply a well-made action movie. I’ve got to give props to the sound engineer for making me enjoy every gunfight. In addition to the excellent Ian McShane, there was a point in the film where I wasn’t sure what was real and what was the Matrix, so kudos to the creators for that. (21.08.2017)