La dama y el fantasma
Director:
Joseph L. MankiewiczGuión:
Philip DunneCámara:
Charles LangMúsica:
Bernard HerrmannReparto:
Gene Tierney, Rex Harrison, George Sanders, Edna Best, Vanessa Brown, Anna Lee, Natalie Wood, Victoria Horne, Isobel Elsom, Robert Coote, Will Stanton (más)Sinopsis(1)
Decidida a forjarse una nueva vida para ella y para su hija, Lucy Muir, una joven viuda, se instala en una casita frente al mar en la costa de Inglaterra. La Sra. Muir no tarda en descubrir que su nueva casa está habitada por el fantasma de su antiguo propietario, un curtido capitán de barco, que intentará deshacerse de los nuevos inquilinos, sin conseguirlo. Muy pronto, sin embargo, surgirá entre ambos una conmovedora historia de amor. Cuando Lucy se queda sin dinero el capitán le ayuda a escribir un libro basado en su vida. Su éxito editorial, sin embargo, atrae las atenciones de un hombre que, a diferencia del capitán, es de carne y hueso. (20th Century Fox España)
(más)Reseñas (2)
A beautiful romantic film, where the romance lies in the fact that those two can never truly love each other. Yes, it is a supernatural film, but it certainly does not lack taste. The central couple also fits together very well. They may not be as big stars as others of that time, but it doesn't matter at all because they are wonderfully pleasant and charismatic. A splendid ending!
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The transformation of a ghostly horror movie into an emancipation drama was just as surprising for me as the heroine’s reaction to the paranormal activity in her new home: “Haunted. How perfectly fascinating.” Mrs. Muir displays the same prudence later, when she comes to understand that the ghost of the sailor, whose actions make it clear to everyone that he is in charge (a phallic spyglass dominates several scenes), embodies long since discarded values and that it would be best if she accepted him as her collaborator, as the masculine side of herself. Only his advice can make her the mistress of her own domain. The film most urgently encourages us to not be afraid to dream in the final minutes. Because the film was directed by Joseph L. Mankiewicz, who perfectly understood the weight of words but underestimated the power of images, the minutes preceding the ending are as agonisingly long as the wait for the man of one’s dreams. That ending, however, is heavenly. 80%
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