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París, 1897, en plena Belle Époque. Edmond Rostand es un dramaturgo prometedor. Pero todo lo que ha escrito ha sido un fracaso y ahora sufre una parálisis creativa total. Gracias a su admiradora, la gran actriz Sarah Bernhardt, conoce al mejor actor del momento, Constant Coquelin, que insiste en interpretar su próxima obra. Y, además, quiere estrenarla dentro de tres semanas. El gran problema para Edmond es que todavía no la tiene escrita. Ni siquiera sabe de qué va. Solo tiene el título: "Cyrano de Bergerac". (A Contracorriente Films)

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gudaulin 

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inglés In the Czech Republic, virtually unknown actor Alexis Michalik got a taste of the comfortable director's chair, which gave birth to a pleasant, sparkling comedy, the ones the film powerhouse that is France has been producing for the past two decades. Cyrano, My Love is not just a funny plaything about the origin of one of the most famous plays, Cyrano de Bergerac," as it is primarily a film about the Belle Epoque era, the "beautiful times" of the Third Republic framed by the years 1890 to 1914 when France experienced a period of prosperity and military power and became a world center of art and fashion. It gave birth to a specific French art of living and enjoying life, which resonates in the film. Although the film does not feature the most famous stars of French cinema, it would be unfair to label the participants second-rate. If you were to compare Cyrano, My Love to Shakespeare in Love, there is a thematic similarity, but I never managed to make it to the end of that one despite repeated attempts, whereas Cyrano, My Love perfectly suited my mood. Overall impression: 80%. ()

angel74 

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inglés It just suddenly happened, a miracle: at last I feel the urge to watch Edmond Rostand's rhyming romantic drama, Cyrano of Bergerac. Michalik's film, which tells the comic and dramatic story concerning the birth and premiere of this great play, so enchanted me that I'll have to look for an older treatment of the Cyrano story. (80%) ()

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