La mosca de cabeza blanca
La mosca de cabeza blanca
Director:
Kurt NeumannGuión:
James ClavellCámara:
Karl StrussMúsica:
Paul SawtellReparto:
David Hedison, Patricia Owens, Vincent Price, Herbert Marshall, Kathleen Freeman, Betty Lou Gerson, Charles Herbert, Bess Flowers, Charles Tannen (más)Sinopsis(1)
Un brillante científico obsesionado con perfeccionar un aparato que puede transportar materia de un lado a otro. Exitoso en sus pruebas iniciales, experimenta siendo él mismo conejillo de indias, pero una simple mosca hace el viaje de materia con él, y cuando salen del aparato ambas criaturas han cambiado extraordi- nariamente. Ésta es la historia escalofriante de un hombre que lucha por conservar su “humanidad” y el intento desesperado de una mujer por salvar al hombre que ama. (20th Century Fox España)
(más)Reseñas (3)
Muy bonita. Inteligentemente escrita y bellamente rodada, con igual énfasis en los personajes, el misterio y el horror. La escena inicial pone el listón muy alto, seguida de la fluidez con que se desenreda la trama de un gran misterio. Puedo imaginar que Alfred Hitchcock, por ejemplo, habría hecho un guión aún mejor, pero eso es una blasfemia. La dirección de Kurt Neumann está entre las mejores del género y de su época. Imprescindible para los amantes del cine.
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If I had to compare, Cronenberg's remake is more nutritious in terms of horror properties, full of irresistible filth, but this prequel has a more elaborate story structure. During the first half an hour the director plays a paranoid game with the viewer (is this woman really crazy, or what the hell is going on?) and then, thanks to flashbacks, a horrible twist is revealed, where the brutal murder in the press is not the end of the story; on the contrary, the filmmakers prepare one more surprise, thanks to which the story turns 180 degrees. Some of the scenes are real top-notch horror, I would never have guessed how thrilling catching an ordinary fly could be, knowing that a human life is actually at stake, and it also has a unique science-fantasy dimension. The Fly became an important milestone in the development of cinematic science fiction as a whole. As many smart books state, this is the very first film to use the idea of nuclear fission and fusion, the idea that matter can be converted into energy and energy back into matter, exactly the same principle that was adopted 20 years later by Star Trek and its famous teleportation device. And if nothing else, this wonderful film gives us the revelation that flies like milk mixed with rum :o)
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A likeable story structure that ends up in enthralment and psychological holes. Neumann knows how to deliver proper nastiness and generate tension, but he’s not very good when it comes to developing the core motifs of the story, so the transitions between each of the psychical and physical stages feel unconvincing. But thumbs up regardless for the unsettling aura of the second half and the effective twist in the end. 65%
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