Bony a klid

La primera mitad de la película me volvía loco, especialmente por su forma y la forma en que avanzaba el tiempo para que el sufrimiento terminara. La segunda mitad mejoró finalmente la impresión general. Sin duda, un tema interesante y verídico de la pluma de Vít Olmer y Radek John, así como interpretaciones actuales de calidad, especialmente J. Potměšil y R. Skamene, pero la repetición absurda de la canción Relax es increíblemente molesta, me hizo sentir realmente mal físicamente. Una o dos veces se puede tolerar en la película, pero su repetición en la menor oportunidad es extremadamente irritante. Por esa razón, no puedo darle más de tres estrellas, aunque intente convencerme a mí mismo de lo contrario. (07.07.2013)

The final star I’m giving it is definitely only for the rather amusing templates played by Josef Nedorost and Tomáš Hanák. All the other minuses are for the full-length backing track from the then quite old album "Welcome to the Pleasuredome" (1984) by Frankie Goes To Hollywood, whose main hits "Relax" and "The Power of Love" I hope to never hear again. This sort of overuse was not a good solution. The current album "Liverpool" (1986) would probably not be put in the film, even in one from the socialist block. (03.10.2009)

I remembered the film quite well from the last time I saw it. I was pleased that it still worked for me and the atmosphere was still there. I enjoyed it again and only took away one star for the music. Apparently, the creators chose the song “Relax” to accompany scenes with currency dealers without realizing that the dealers appear in almost every scene. At least I got to experience what it must be like for prisoners to be tortured by music. If Ondřej Soukup did editing on the soundtrack, too, congratulations... (28.04.2020)