Bonnie y Clyde
Bonnie y Clyde
Bonnie and Clyde
Director:
Arthur PennCámara:
Burnett GuffeyMúsica:
Charles StrouseReparto:
Warren Beatty, Faye Dunaway, Michael J. Pollard, Gene Hackman, Estelle Parsons, Denver Pyle, Dub Taylor, Evans Evans, Gene Wilder, Owen Bush (más)Sinopsis(1)
Clyde Borrow acaba de salir de prisión cuando conoce a Bonnie Parker, mientras intentaba robar el coche de la madre de ésta. Bonnie se queda impresionada por los ademanes de delincuente que Clyde demuestra. Éste la seduce definitivamente, asaltando un almacén para luego más tarde robar un coche y huir juntos. Inician así, una frenética carrera criminal. De profesión ladrón de bancos, Clyde encuentra en Bonnie a la compañera perfecta para perpetrar atracos de ciudad en ciudad. Roban sin piedad, a mano armada, uniéndose a ellos el hermano de Clyde, Buck, la gritona esposa de éste, Blanche, y el lerdo, pero fiel, empleado de una gasolinera llamado C.W. Moss. Corren los años de la Gran Depresión, y Clyde y la banda empiezan a salir en la prensa, que empieza a hacerse eco de su espíritu de Robin Hood, tras permitirle a uno de los empleados del banco que acaban de asaltar, quedarse con el dinero de sus ahorros. (Movistar+)
(más)Reseñas (5)
Entretenimiento amoral y rebelde con un elenco estelar y muy simpático. El corazón de la película es la química exagerada entre Beatty y Dunaway. Algo así como Easy Rider, pero aquí se roba y dispara en lugar de fetichizar y tener sexo. Es admirable cómo los cineastas lograron mantener un tema tan serio en un nivel tan ligero y humano. Seguro que a Tarantino le gusta esta película.
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Bonnie and Clyde - a priceless story. Romeo and Juliet “gangsta"-style. But we don’t find anything like that in Penn’s offering. Instead of character psychology and motivation, we see just illogical leaps in behavior (We’re gonna rob a bank, want to come along? Sure thing!). And instead of fateful love and mutual, sparking chemistry, it’s a one woman show with Faye Dunaway, who overshadows Warren Beatty so much that it is painfully clear that the movie could have done without him. Plus, in my opinion, the omnipresent “redneck" tone buried a lot of the scenes. It doesn’t matter in principle. It’s just a shame that they didn’t approach it more sensitively. The worst part is the scene with the shootout between the Barrow gang with Blanche running about like a headless chicken with the ax. This is the epitome of movie awkwardness for me. Luckily the works nicely, it has style and mainly Faye who holds everything together, in spite of Beatty.
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It's been a long time since I forced myself to watch this obligation, and even longer since I argued about this topic about how overrated it is. However, there is no limit to over interpretation. Why couldn't the whole thing take place in Bonnie's imagination if the key scenes of her meeting Clyde are so subjectified? Oh, I get it.
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An excellent gangster flick that certainly had a great influence on the next generation of filmmakers. Faye Dunaway was damn handsome, and Gene Hackman, in perhaps his most likeable role, gives the film the necessary insight and comfort. The ubiquitous gunfights and car chases are depicted rather crudely for their time, and the tragic ending is chilling, sad, yet somehow right and necessary. It’s a shame that only few people have watched it. I can only recommend it.
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It's not a movie that would completely blow me away, but it still can't be denied that it has something incredibly rebellious and gangster-like in itself, even though those two were condemned to death from the beginning. However, the story of this pair is immortal, and in this execution with such fantastic actors, it simply doesn't age.
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