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Tailandia, finales del siglo XIX. La vida de la institutriz británica Anna Leonowens, contratada por el Rey de Siam para que educara a sus cincuenta y ocho vástagos. Nada más llegar a estas desconocidas y exóticas tierras, Anna se ve inmersa en una lucha de ingenio con el obstinado soberano. (20th Century Fox España)

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POMO 

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español Una película agradable y frágil, pero demasiado larga para los escasos retazos de emoción que ofrece. El bello diseño de producción y el encanto en torno a la pareja central triunfan aquí sobre el débil motor narrativo. Chow Yun-Fat es un rey carismático y Jodie Foster está estupenda como siempre. Aunque preferiría ver a Cate Blanchett como Anna. ()

Kaka 

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inglés It is a slightly over-sensitive film that tries to capture the clash of two cultures, the British that rules the world and the Siamese, which is of course completely different in philosophy of life, habits and customs. Nothing against it, the effort is worth it, and back in the day Anna and the King was quite popular with middle-of-the-road audiences because it's actually a light, pleasant film for a Sunday afternoon. However, upon closer analysis, we come to the conclusion that the clash of opinions between two different cultures and visions of the world is presented in a very half-hearted and lightweight way, and even The Last Samurai, which has a completely different concept and dynamics, has this aspect portrayed much more faithfully. And when you realize after 150 minutes that the most interesting moment of the film is a bridge being blown up, something is probably not quite right. Jodie Foster's fake tears need no comment. And Chow Yun Fat? You just wait for him to get pissed off and pull out the two 9 mm he must be secretly carrying behind his waist. ()

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