Director:
François TruffautGuión:
François TruffautCámara:
Néstor AlmendrosReparto:
Charles Denner, Brigitte Fossey, Geneviève Fontanel, Leslie Caron, Nathalie Baye, Sabine Glaser, François Truffaut, Jean Dasté, Roger Rose, Roger Leenhardt (más)Sinopsis(1)
El conocido director francés François Truffaut está en su mejor momento en esta historia, ligera y optimista, sobre un excéntrico Casanova que se enamora de todas las mujeres que conoce. Esta original comedia romántica, deliciosamente encantadora e inteligente, es conmovedora, divertida y muy, muy entretenida.
Bertrand Morane (Charles Denner) es un mujeriego sin par, totalmente obsesionado por el sexo opuesto, capaz de llegar a increíbles extremos para conseguir un breve encuentro romántico. Cuando Bertrand documenta sus apasionadas aventuras en una picante autobiografía, despierta el interés -tanto profesional como personal- de una hermosa y provocativa editora, llamada Geneviève (Brigitte Fossey). Poco a poco, el juego inmemorial de la seducción se inicia entre ellos y Bertrand descubre con sorpresa que esta vez quizá le toque a él ser la víctima de esa cosa tan rara... ¡el amor verdadero!
(C.B. Films)
Reseñas (2)
It’s almost unbelievable that a movie with so many beautiful ladies could be so mundane. On the other hand Denner plays his nonchalant playboy with such verve that even the staunchest feminist would succumb to him in an instant. But still I got the impression that rather than Truffaut’s love for women, his passion for books shone out of this. P.S.: Otherwise it’s quite a faithful adaptation of Pshimi’s reviews reflecting his own antics. I could really see that big-eared Bohemian in it.
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The fact that Don Juan-type characters do not have an easy life and their activities have little in common with love, but dangerously approach a sports discipline and obsession has long been known. Francois Truffaut was able to imbue his protagonist with traits of ironic exaggeration and look distantly at his foolishness. As usual with him, autobiographical elements appear in the film, as well as expressions of the director's relationship to art, especially to books. Nevertheless, the film is not among the best of what Truffaut has directed and is rather average. Especially for those who have mapped his filmography, it is rather disappointing. Overall impression: 65%.
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