Decision to Leave

Que los coreanos son maestros a la hora de mezclar diversos géneros de forma funcional no es nada nuevo, sin embargo, me sorprendió bastante lo cómica que al final Decision to Leave fue. Pero gracias a eso, fueron dos horas y un cuarto agradables que pasaron rápido, definitivamente ningún aburrimiento de festival. La trama y el desenlace tienen su propia lógica interna sólo en la medida en que tú, como espectador, estés dispuesto a aceptarlos bajo la influencia de la atmósfera de la película, de modo que si no sintonizas con la película en la primera media hora, probablemente no tendrás una gran experiencia. Por suerte, yo lo logré. [KVIFF 2022] (16.07.2022)

A strangely static Park variation on Basic Instinct, where I found at the end that I was focused on something other than what I should have been the whole time. Then I completely resonated with the last shot. PS: "After Parasite and Squid Game, another Korean phenomenon is taking the world by storm." – Man, it that really the best we can do? (19.08.2022)

The sheer boredom was occasionally broken by an interesting scene, but it really took a lot to make me stay until the end. And by that, I mean stay in the theater till the end. Unfortunately. (19.10.2022)

This movie caused me quite a few problems while watching it. I grappled with the continuity of certain scenes, often getting lost in the deliberate chaos the director laid out. Thankfully, I managed to find my way back each time. On the whole, the film clicked for me. It triggered some nostalgia for my favorite Verhoeven and delivered a convincing, non-stereotypical romance that didn't grate on my nerves, topped off with a powerful ending. To sum it up, this movie easily earns four out of five stars from me. However, I can't help but feel it could've been even better if the director had trimmed down some of the unnecessary distractions (and by that, I don't mean the plot). / Lesson learned: It's nice to trust others, but sometimes you might end up with a knife in the kidney. (03.01.2023)

A melancholically melodramatic (un)romantic (un)thriller, of the "better talked about than watched" variety, mainly because of the unjustified running time during the second half. Not even the precise actors and Park's traditionally playful direction can balance it. (14.07.2022)