Tony, Shelly y la linterna mágica

Una película de animación familiar sobre la amistad de un niño que brilla y una niña con una imaginación salvaje, que viven en un edificio de apartamentos que es una imagen de una sociedad que lucha contra el poder, la ansiedad y la incapacidad de escucharse mutuamente, puede resultar atractiva para los niños y público adulto por igual. Trabaja en profundidad el tema de la aceptación de la alteridad y muestra con sensibilidad cómo la comprensión mutua y el compartir a pesar de las diferencias pueden conducir a una aceptación mucho más segura de uno mismo. La película transmite lecciones valiosas sin necesidad de explicar todo literalmente, y entreteje elementos mágicos de fantasía con dolores reales de la adolescencia y la paternidad y sugerencias de otros temas serios sin perder su brillante sensación de cuento de hadas. Además, trabaja de forma bella y consciente con los colores y la luz. (04.01.2024)

Czech (and Slovak) animation has again risen to the world-class level in recent years. This has most recently been confirmed by the Czech-Slovak-Hungarian stop-motion film Tony, Shelly and the Magic Light, which received an award at the Annecy International Animation Film Festival. Thanks to its amazing colours, lights (!) and original visual ideas, Filip Pošivač’s feature-length debut looks so good that I wanted to slowly pause every shot and savour it for a moment. In terms of its superb craftsmanship alone (for example, Denisa Buranová’s dynamic cinematography, which takes something from live-action filmmaking and contributes to the originality of the creative concept), this is an extraordinary film in which it never once seemed to me that the filmmakers made any compromises, let alone skimped on anything. And the story, written by Jana Šrámková, is also exceptional, not only in the domestic context, in the way that it is both comprehensible for children (judging from their reactions) and appealing to adults on a deeper level as it tells the story of the little big adventure of an eleven-year-old boy who glows. Since this film has quite a few thematic levels (depression, parenthood, self-realisation), you may find a different key to interpreting it, but for me the main thing was the unusually sensitive (and extremely relatable) narrative about the experience of a child who is neurodivergent (or simply different in some way) and – despite his loving, hyper-protective parents – tries to find his place in society, which is represented in the film by a single multi-storey apartment building. Based on the example of the titular duo, the film shows that it is quite beneficial to meet people or at least one person with whom you can identify (Tony is the only one who can see Shelly’s imaginings) and accept yourself in your own differentness to such a degree that you gain the courage to step outside of your own private (fantasy) world and to share with others your own inner light, which you had long seen as a limitation. Some have the good fortune to do that when they are eleven, some when they are twenty-nine. A beautiful film. (07.10.2023)