Director:
Robert AltmanGuión:
Ring Lardner Jr.Cámara:
Harold E. StineMúsica:
Johnny MandelReparto:
Donald Sutherland, Elliott Gould, Tom Skerritt, Sally Kellerman, Robert Duvall, Rene Auberjonois, David Arkin, Jo Ann Pflug, Gary Burghoff, Fred Williamson (más)Sinopsis(1)
Aclamada como una de las mejores comedias jamás rodadas, la historia se centra en los cirujanos del ejército de los Estados Unidos que trabajan en un hospital quirúrgico móvil de la Armada americana en la guerra de Corea, y que desarrollan un estrambótico modo de vida con el fin de superar los horrores con que se encuentran día a día. Aunque altamente cualificados y profundamente dedicados a su trabajo, esta irreverente pandilla de disparatados personajes es igualmente experta en provocar la máxima confusión dentro de la estricta burocracia militar. (Manuel Salvador)
(más)Reseñas (3)
The great downfall of Altman's Mash is that the overwhelming majority of viewers saw it only after becoming fans of the famous series. Although the series took inspiration from Altman, it is a completely different style, format, and genre. So those who are looking for enjoyable situational humor will be greatly disappointed. The series Mash was a mainstream affair, a pleasant diversion with a certain anti-war message, tailored for the widest audience, while Altman made a cynical film about the war's aftermath that leaves a mark on people. As a comedy, in my opinion, it doesn't work too well, but as an absurd war story about people frustrated by insane conditions they have to endure, it is a powerful matter. The main character is a cynic who just wants to have fun, survive, and forget. He's simply not the likable guy we know from the series. Overall impression: 60%.
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The M*A*S*H film is almost two hours long, a sequence of various scenes and skits, so one simply cannot help but feel that the serial format is better suited for it. Fortunately, though, the sequence is so interesting, as dry as a Hawkeye martini, and chillingly realistic during the bloody operating room scenes, that it holds the viewer's attention even during the somewhat drawn-out second half. The cast is also one of a kind and Donald Sutherland, Elliot Gould, Sally Kellerman and Roger Bowen are all up to par with their series counterparts. It's a great pity, however, that Robert Duvall's Frank disappears so quickly. Three and a half.
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If I saw the movie first, I would probably be more impressed than when I saw the series for the first time. But the series is just more timeless, it still works and its jokes survive where the movie ones lose their impact as time advances. Nevertheless, the film is still a quality spectacle, but it doesn't have the same great gateway as the series. I was surprised that Radar's character is played by the same actor throughout.
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