Director:
Robert AltmanGuión:
Ring Lardner Jr.Cámara:
Harold E. StineMúsica:
Johnny MandelReparto:
Donald Sutherland, Elliott Gould, Tom Skerritt, Sally Kellerman, Robert Duvall, Rene Auberjonois, David Arkin, Jo Ann Pflug, Gary Burghoff, Fred Williamson (más)Streaming (1)
Sinopsis(1)
Aclamada como una de las mejores comedias jamás rodadas, la historia se centra en los cirujanos del ejército de los Estados Unidos que trabajan en un hospital quirúrgico móvil de la Armada americana en la guerra de Corea, y que desarrollan un estrambótico modo de vida con el fin de superar los horrores con que se encuentran día a día. Aunque altamente cualificados y profundamente dedicados a su trabajo, esta irreverente pandilla de disparatados personajes es igualmente experta en provocar la máxima confusión dentro de la estricta burocracia militar. (Manuel Salvador)
(más)Reseñas (4)
The M*A*S*H film is almost two hours long, a sequence of various scenes and skits, so one simply cannot help but feel that the serial format is better suited for it. Fortunately, though, the sequence is so interesting, as dry as a Hawkeye martini, and chillingly realistic during the bloody operating room scenes, that it holds the viewer's attention even during the somewhat drawn-out second half. The cast is also one of a kind and Donald Sutherland, Elliot Gould, Sally Kellerman and Roger Bowen are all up to par with their series counterparts. It's a great pity, however, that Robert Duvall's Frank disappears so quickly. Three and a half. ()
The big problem with Robert Altman's M*A*S*H is that the vast majority of viewers saw it only after becoming fans of the famous TV series. While the series took inspiration from Altman's film, it is a completely different style, format, and genre. So, those looking for the pleasant humor of the TV series will be quite disappointed. The TV M.A.S.H was a mainstream affair, a pleasant break with an anti-war message, designed for the broadest audience, whereas Altman created a cynical film about the misery that war leaves on people. As a comedy, it doesn't work very well in my opinion, but as an absurd war story about people frustrated by the insane conditions they must endure, it's a strong piece. The main character is a cynic who just wants to have fun, survive, and forget. He's simply not the likable guy we know from the series. Overall impression: 60%. ()
I know MASH like everyone else, only as a TV series, and I had no idea that it was previously made into a feature film. When I was younger, I used to watch some episodes with my grandmother, and I quite enjoyed laughing with her about this series. However, the film adaptation confused me, mainly because the characters were played by someone quite different. I even feel like some characters were missing in the film, or they were not given as much emphasis. Unfortunately, the first half of the film bored me, and I struggled to understand the characters and their relationships. As this problem began to clarify, I started to delve deeper into the plot, but for the rest of the film's duration, my attitude towards this piece became more neutral and impartial. What disappointed me was that there were more episodic twists in the plot rather than one significant development, which made it feel disjointed to me. I would have preferred one major climax rather than several unrelated stories. However, not to criticize everything, some scenes (such as O'Hulihan in the shower) and lines made me laugh. Unfortunately, I cannot claim that any scene stuck more in my memory, so I can only rate it as average. ()
If I had seen the movie first, it probably would have had more impact on me than when I saw the series first. But the series is simply more timeless; it still works, and its jokes survive where those in the movie lose relevance as time progresses. Nevertheless, the film is still a quality watch, but it doesn't have the same fantastic appeal as the series. I was surprised that the character Radar is still portrayed by the same actor. ()
Galería (102)
Foto © Twentieth Century-Fox Film Corporation
Anuncio