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Talk to Me es una agradable película de fantasmas australiana, que no intenta atraer al público con sustos baratos, sino que dedica una cantidad significativa de tiempo a las relaciones entre los personajes principales. El concepto de sesiones de espiritismo como entretenimiento arriesgado para zoomers desprevenidos es una premisa interesante que podría sonar completamente ridícula en las manos equivocadas, pero funciona muy bien aquí gracias a los personajes adolescentes australianos creíbles y no pesados. [Festival de Cine de Sundance 2023] (26.01.2023)

A great ghost-horror movie in a new interpretation, with the fine idea of connecting with the “other side” and realistic teenage characters whose relationship drama is equally as strong and important as the mystery dimension. Unfamiliar faces, an increasingly gloomy mood and a bad-ass conclusion to the story. An Australian debut feature with the qualitative parameters of producer Jason Blum’s best pieces. (14.01.2024)

You wouldn't think that in the ghost subgenre you could come up with something original. A really interesting, original premise, physically uncomfortable in places, an intense flick without cheap clichés and stale scares (there are a few and they're good). And with likeable new faces, all of them acting great. To make this as a rookie debut, well, hats off to them. (12.10.2023)

The much-praised Australian horror film Talk to Me was supposed to be my dark horse this year. I was looking forward to it since the first trailer, and the rave reviews from abroad only increased my hype, plus the proven studio A24. But in the end I'm slightly disappointed. For a debut, Talk to Me is definitely very mature and noteworthy, but I didn't feel the right spark. So first I'll sum up the pros. The biggest asset is the original idea, we follow a ghostly séance of young Australian teenagers using a mummified hand, where they get possessed by a random ghost for 90 seconds. The appearance of the ghosts is creepy and these séances are fun until things go wrong, of course. (The twist is pleasantly brutal!). But just when the viewer thinks the film is finally going to get going, sadly the best part is over. The characters, who can act and who aren't downright annoying, are interesting. The make up effects are good, the film is technically up to par, and it's very nice to see that it’s is not a PG-13 but an R-rated ghost story, though it can't be said that the viewer gets proper gore. Not many characters die, and the more brutal scenes are three at most, so the potential to unleash more savagery was definitely there. There are few jump-scares, and the atmosphere isn't too scary either, it's more of a psychological drama most of the time, where we do see ghosts, but they don't make any mess of the characters or the viewer. Most of all, I was let down by the weak finale, which can't be called a finale, because the film doesn't go anywhere. It's worth a strong 3 stars because some elements were fine and there's a sense of a different approach, but the slower pace, few scary attractions and weaker finale don't let me go for 4. I’ll have to wait for Saw X, The Exorcist Believer and The Last Voyage of the Demeter. 6/10. (07.08.2023)

Talk to the hand, or combine an idiotic viral TikTok challenge, a metaphor for drugs, a drama about mourning and a horror movie about possession and you have the genre flick of year, in which cleverly malicious directing, excellent actors and a heavy atmosphere in which the world of phantoms that may or may not mean well by people increasingly crosses over into reality. A more than respectable successor to films such as Get Out and It Follows. I’m trembling! (05.12.2023)