Smilla's Sense of Snow
Smilla's Sense of Snow
Director:
Bille AugustGuión:
Ann BidermanCámara:
Jörgen PerssonReparto:
Julia Ormond, Matthew Marsh, Gabriel Byrne, Jim Broadbent, Tom Wilkinson, Richard Harris, Robert Loggia, Vanessa Redgrave, Peter Capaldi, Mario Adorf (más)Sinopsis(1)
La señorita Smila, encuentra muerto a su vecino y amigo, el pequeño Isaías. La versión oficial dice que debió resbalar y caerse. Pero Smila sospecha que no ha sido así. Inicia una investigación personal para esclarecer las causas de su muerte. Sus pesquisas le llevan a la misteriosa muerte del padre de Isaías, ocurrida en una expedición secreta en el Ártico, misión dirigida por una poderosa corporación danesa que se remonta a la Segunda Guerra Mundial. (Tripictures)
(más)Reseñas (4)
Una versión de dos horas de la mejor parte de Expediente X, respaldada por excelentes interpretaciones y un misterio tentador. Una película lenta y frágil de la que no hay que esperar mucha acción, pero sí sintonizar con su atmósfera.
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The book is an original and highly unconventional mix of genres (that ending, though), a sort of "lyrical-social eco-whodunit", while the film adaptation sticks to a mostly mysterious storyline like out of The X-Files, which is definitely not a bad thing.
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I give it a weak three stars basically only for highly above-average cast, location, wherein shots of Nordic landscapes, glaciers, and overall extraordinary environment naturally play a positive role, and ultimately for directing skill, when Bille August is able to keep the viewer in suspense for a long time and evoke greater expectations than the cliché ending brings. I never read the book, so the revelation of this promising mysterious spectacle disappointed me a lot. The last 15 minutes of the film simply sink it. It needed more work on the script and avoid predictable scenes at the end, which seemed to come out of a movie parody. Overall impression: 50%.
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I haven't read the book, but from the looks of the adaptation, I'd guess it's something along the lines of Dan Brown's (non-Langdon) stuff. Which is not a bad thing. The film looks good, and I was surprised by the likable cast led by a very cool Julia Ormond, but the moment the heroine boards a ship and sets off for Greenland, an interesting thriller with a solid atmosphere becomes a strangely dull parade of strange situations, culminating in a final explosion and (not shown) escape from an avalanche that would have been unbelievable even in a Bond film. Alas. A big bonus is the music by Gregson-Williams and Zimmer - I haven't heard it yet, but it strikes me as one of their best works ever.
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