Sinopsis(1)

Basada en la épica novela gráfica de Frank Miller y Lynn Varley, "300" narra la antigua batalla de las Termópilas, en la que el rey Leónidas (Gerard Butler), al frente de 300 espartanos, luchó a muerte contra el emperador Jerjes (Rodrigo Santoro) y su gran ejército persa. Haciendo frente a insuperables adversidades, el valor y sacrificio de estos hombres, inspiraron a toda Grecia para unirse contra el enemigo persa, fundando los cimientos para la democracia. (Warner Bros. España)

(más)

Videos (3)

Tráiler 2

Reseñas (15)

POMO 

todas reseñas del usuario

español ¡Ay! Pues, esto no es ninguna mega epopeya. 300 es un modesto experimento basado en un guión de 10 páginas y con bonitos fondos de pantalla azul. Los diálogos pretenden ser tan serios y fríos que resultan hilarantes. La historia recicla lo que ya nos han contado Braveheart y Gladiator (El gladiador) pero de una forma más breve y visual. Se ve bien, las escenas de lucha están bien hechas, pero todo lo demás es nada. Si no fuera por las tomas a cámara lenta, duraría apenas 60 minutos. Una buena película, pero espero que no prediga el comienzo de un nuevo subgénero cinematográfico. ()

Lima 

todas reseñas del usuario

inglés I would like to paraphrase a sentence uttered in the film itself: "My eyes saw a grotesque spectacle summoned from the darkest corners of Miller's strange soul." The rape of history under the guise of a comic adaptation (under which everything is tolerated nowadays, perhaps even if someone made Němcová's Grandmother a dominatrix in a S&M parlour), the fanatically stubborn (though undeniably charismatic) Leonidas, who reminded me of another fanatic, Hoferik from Signum Laudis, so I certainly wouldn't want him as a king, and the slow-motion shots in the second half with their increasing frequency bored me to death. If, given the high box office returns, this empty and narcissistic affair will set the course for the future of the film industry, then we have no choice but to shout "Gott mit uns!" I'm not sure if sentences like "...I felt like smashing someone's face in after the movie was over..." is the right emotion to take away from a film, but I have no doubt that for angry young teens, this will be the best movie of their short lives so far :) ()

Anuncio

Isherwood 

todas reseñas del usuario

inglés Snyder is here to entertain! An elegant recycler of the classic sandal adventure and heroic epic wrapped in a beautifully re-styled audiovisual package that has very little to do with history itself, and the search for historical context can hardly be called viewer ignorance. The vast majority of current productions are in the same boat, so why nitpick here when it's clear from the start that the pathetic phrase will be part of every Leonidas (Gerard Butler, the most charismatic leader of the screen a few years back, scores points!) monologue, the purely macho speech of every dialogue, and that the battle will be nothing but visual gluttony of the finest quality? I enjoyed 300 for its relative originality, down to the last drop of digitally redacted blood the characters shed, and I’m certainly not worried about the future of other Hollywood productions. There have already been several similar booms, and in a few years, young angry teens will find their new cult. It is rather surprising how many people, after seeing 300, suddenly crave pure awesomeness, which has survived (and will survive) everything. ()

J*A*S*M 

todas reseñas del usuario

inglés I really like Zack Snyder for Watchmen and Dawn of the Dead (and Legend of the Guardians: The Owls of Ga'Hoole and Suckerpunch look very promising, too), but 300 is unfortunately a very big misstep. A visually fancy historical carnage (a bit too digital and artificial for my taste) that to it’s own chagrin takes itself way too seriously. Gerard Butler is one of the least likeable actors and his heroic speeches almost made me burst out laughing. This is not Sparta, this is a bad joke. ()

Marigold 

todas reseñas del usuario

inglés For me, a completely indigestible mix of pathos, stupid dialogues and a pseudo-art image, which, apart from rich colors and slow-motion, offers nothing more interesting than bricks of soaked Spartans and a nice composition here and there. Snyder is an absolute maniac, who, more than the narrative itself, is driven by various effects, accessories and frills, because of which, from my point of view, the film has no tempo, explosiveness or even meaning. Impactful comic book bullshit about freedom and building speeches, in the style of the last battle ignited me, endlessly irritate, and the action scenes bore me with their sterility and the absence of a decent choreographic idea. Any way I look at it, it’s a truly idiotic work, probably only good for making fighting slogans for hockey teams. ()

Galería (110)