The Amazing Spider-Man

  • Estados Unidos The Amazing Spider-Man (más)
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Sinopsis(1)

Peter Parker, un chico de instituto algo marginado que fue abandonado por sus padres cuando era niño, por lo que le criaron su Tío Ben y su Tía May. Como muchos adolescentes, Peter quiere averiguar quién es y cómo llegó a ser la persona que es en la actualidad. Además, Peter encuentra su primer amor de instituto, Gwen Stacy, y juntos, tendrán que lidiar con el amor, el compromiso, y los secretos. Cuando Peter descubre un misterioso maletín que perteneció a su padre, emprende una búsqueda para llegar al fondo de la desaparición de sus padres, la cual lo llevará directamente a Oscorp y al laboratorio del Dr. Curt Connor, el antiguo socio de su padre. Cuando Spider-Man choca con el alter-ego de Connor, El Lagarto, Peter tomará decisiones que afectarán el rumbo de su vida, utilizando sus poderes para forjar su destino y convertirse en un héroe. (Sony Pictures Esp.)

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Reseñas (12)

claudel 

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español Taková ta typická spidermanovská oddechovka, která ničím nepřekvapí a ničím nezklame. Andrew Garfield i Emma Stone si moje sympatie získali již dávno, Rhys Ifans hraje výborně a Denis Leary nějak vůbec nestárne. ()

Lima 

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inglés Sam, Mark Webb can’t hold a candle to you. Under Raimi, Spider-Man was better in every sense: funnier, more imaginative, livelier. Parker's becoming acquainted with his new abilities was rendered much more inventively, while Webb dispatches him with one awkward scene on the subway and a skateboard romp. In the second half, the all-too-new Spider-Man gets tangled with a digital lizard and has nothing more to offer. I won't even elaborate on the fact that the action scenes have no charge and are sometimes strangely edited. And the stars? Tobey Maguire was such a nice guy next door, a good friend with whom you'd go for a beer (well, in his case more like a glass of Kofola), while Garfield is just a grinning and weakly wisecracking brat. Summary: a pointless reboot. ()

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Malarkey 

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inglés Why didn’t they shoot this movie first? And why do they even shoot movies like this? Marvel wants to squeeze as much as possible out of Spider-Man and so they’re reviving the trilogy with completely fresh faces, new characters and new villains. In any case, I have to congratulate the authors. I like Spider-Man. I actually watched it when I was a kid. So it’s really surprising to me that this Spider-Man is much closer to the original character than the one in Raimi’s trilogy. They view the entirety of Spider-Man’s character in a different light. It’s more in-depth and more according to the comic original. Actually, it’s overall way more like I’ve always wanted. I don’t even know why they shot the previous trilogy the way they did. I don’t like these reboots, but I have to say that this one was a downright joy.  Somebody tried really hard this time. It’s most evident when it comes to the casting. Garfield and Stone were an awesome choice. Especially Emma. She’s such a pretty face that I could just watch her forever and I’d never get sick of her. But Rhys Ifans, Martin Sheen or Denis Leary are also great. This mix of actors really did the trick in this movie. When did they say the sequel was coming out? ()

Isherwood 

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inglés The high school introduction reminds us where Webb's roots are and with them the solid ground beneath his feet. The moment Peter Parker becomes Spider-Man, the creative cluelessness is on full display. It doesn't work in regard to the catchphrases, and motivations, and especially not in the action, which may have squeezed a lot of processor cores, but the virtual camera can fly all it wants - there's not one bit of real physicality in there. The fact that the crane operators work well in the film is just the bizarre icing on this overblown yet perfectly empty cake. ()

J*A*S*M 

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inglés The Amazing Spider-Man is fine (actually, I liked it more than the ones by Raimi – though I’m not entirely sure, I hardly remember them), but it’s a real shame that it doesn’t try go any further (an not only it doesn’t try, it even ignores what it has right under its nose, e.g. the guilt for the death of the uncle). Basically, it’s your typical bland super-hero origin story that it’s pulled up by the likeable guy in the main role. In contrast, the Lizard is the least charismatic villain since the evil cosmic cloud in Green Lantern. In short, a nice but in no way exceptional comic-book routine that’s also very painfully edited or re-written – the haphazard / jumpy / shallow way it delivers some of the twists and reveals (Peter’s discovery of the identity of the Lizard, his coming to terms with the death of his uncle, the change in the behaviour of Flash, etc., etc.) is almost amazing. 7/10 ()

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