Director:
Scott CooperCámara:
Masanobu TakayanagiMúsica:
Dickon HinchliffeReparto:
Christian Bale, Woody Harrelson, Casey Affleck, Zoe Saldana, Sam Shepard, Tom Bower, Willem Dafoe, Dendrie Taylor, Forest Whitaker, Boyd Holbrook (más)Sinopsis(1)
When Rodney Baze mysteriously disappears and law enforcement doesn't follow through fast enough, his older brother, Russell, takes matters into his own hands to find justice. (texto oficial de la distribuidora)
Reseñas (5)
Un canon de actuación en una historia sorprendentemente predecible que, aunque esperas que no ocurra mientras la ves, no te sorprende al final. Pero la emoción de querer venganza funciona en el espectador, desde luego no aburre. Hubiera esperado de todo el conjunto una historia/pensamiento de más alcance. Y de alguna manera no puedo ver a Harrelson como el malo final, aunque se esfuerza. Para mí, siempre será un tipo bohemio, fumado y comodón.
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A drama about tightening a bolt till the nut sheers off. Bale is great as usual, but the real McCoy here is Woody Harrelson who really savors his rotten-to-the-core role. A young Affleck is still the same old repulsive loon, so he’s not missed much when he’s gone. Cooper easily manages a realistic atmosphere and you can almost smell the dirt of this industrial Hicksville. The story of vengeance is maybe overshadowed a little too much by the transformation of a good guy into a revengeful (yet flaccid and erring) “asshole". And that slowly disappearing working class of America mirrors our situation too. We all need money.
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A pure genre film where it doesn't make any sense to worry about the script, it's ordinary. But the way this story is executed deserves praise. The raw industrial street feeling of an American small town is impossible to miss. Excellent camera work, hard-hitting and uncompromising action. A bunch of twisted scenes (like the opening one) and brilliant actors – especially Woody Harrelson, Christian Bale, and once again the minimalistic Zoe Saldana, who’s made for these roles. This is how it could look in reality, Scott Cooper has an incredible sense of authenticity.
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A proper old-school thriller that for the first hour introduces the main characters in their tormented world with no prospect of a better tomorrow, and the rest of the footage shows where the hopelessness of the environment and the desperate actions of ordinary people can drive them. The cast is without exception fantastic (especially the incredibly sleazy Harrelson and, for a few minutes, the minimalist Saldana) and the length of each shot and dialogue exactly matches the precisely constructed system of the whole work, which does not play on the effect or the complexity of the plot. I regret the lack of space for Whitaker and the unfinished ending, but otherwise this is a rather luxurious and raw affair.
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A overly stretched film about how one person seeks revenge for their brother. The film tries to introduce the characters, but it takes a whole hour, followed by a crucial event that gives meaning to the rest of the film. However, not everyone is Sam Peckinpah to truly make sense of the second part. Two hours about a film that actually has nothing to say. Revenge is an interesting theme, but in this case, it proves to be completely empty, despite the presence of excellent actors.
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