Director:
Barry SonnenfeldCámara:
Bill PopeMúsica:
Danny ElfmanReparto:
Will Smith, Tommy Lee Jones, Jemaine Clement, Josh Brolin, Emma Thompson, Alice Eve, Michael Stuhlbarg, Kevin Covais, Nicole Scherzinger, Mike Pyle (más)Streaming (2)
Sinopsis(1)
Los agentes J y K regresan... pero esta vez al pasado. J ha visto muchas cosas inexplicables en sus 15 años con los Hombres de Negro, pero nada, ni siquiera los extraterrestres, lo dejan tan perplejo como su hosco y reticente compañero. Pero cuando la vida de K y la suerte del planeta se ponen en juego, el agente J deberá retroceder en el tiempo para enderezar las cosas. J descubre que existen muchos secretos del universo que K jamás le contó -secretos que se irán revelando por sí solos a medida que trabaja en equipo con el joven agente K para salvar a su compañero, a la agencia y el futuro de la humanidad. (Sony Pictures Esp.)
(más)Videos (53)
Reseñas (10)
No puedo calificar el número tres de otra manera que no sea positiva, especialmente debido al lugar donde la vi. El antiguo cine de verano en la isla de Hvar, con un sonido ligeramente agrietado, en inglés con subtítulos croatas, un pequeño bar discreto detrás de los asientos y una atmósfera completa. En otras palabras, una experiencia inolvidable. Ni siquiera me importó no haber visto la segunda parte.
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Men in Black is a legend that was created by the director Barry Sonnenfeld. Barry reminds me of Burton and his movies. They also cooperate often, just like in this very movie and in any case, it’s a shame that Barry doesn’t film as many movies. However, I was really excited to see Men in Black 3. I remember how I used to rent the first one at a video rental shop and downright indulged in it. I rented it each and every time I didn’t have anything else to watch as a young fella. The sequel was a bit weaker, but that was to be expected. It was still fun, even though it wasn’t “it” anymore. And then the third movie was a pleasant surprise that completely reverses Tommy Lee Jones’ story basis and it basically gets rid of it for about a half of the entire movie. Then there’s the story itself, which has fairly decent plot twists. I must say that considering the ending and the fact that this is a third movie, it was really well done. I had fun, I relaxed, I finally saw Will Smith once again… what more could I possibly want from a third movie of any saga from any world?This was truly well beyond average.
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No revolution (not even a reboot). Just OK action with one-liners, perhaps more one-liners (or just plain chattering) than politically incorrect shooting at aliens (not counting the lady from the prologue, all of the negative characters are “different”). In other words, it’s mostly about the characters and the relationships between them and since the women here are either in a negative role or a non-action-oriented boss, the relationships are strictly heterosexual in accordance with nerdy romances. The nostalgic recollection of the years when truth and love were not yet empty concepts and there were still events that could also bring the American people together, not just divide them (as the media’s memory tries to convince us), is unusually intense and even unintentionally funny towards the end (the little boy and the sea). Due to the excessive tugging at heartstrings, the film’s creators are not too successful in piling on audio-visual attractions and references to 1960 pop culture to conceal the fact that it is actually a cowardly escape from the present. The coarsest jokes, or rather the only two coarse jokes with Warhol and Jagger, are the comedy highlights of the film, which is given more juice by Jemaine Clement in the unexpected role of a truly hideous villain. But not even his diabolical laugh can drown out the impression that Men in Black 3 is needless and empty and that we’ve seen it already many times before. 60%
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Will's unflagging comedic talent and Brolin's perfect copy of Jones' gesticulation, diction, and facial expressions, are all beaten down by a flimsy script and routine direction that doesn't take the best from the characters, the 1960s, or anything else. With the exception of the "Mommy, the President is drinking my chocolate milk!" joke, it’s terribly boring.
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I don't like MiB, I never enjoyed it very much and I went to see the third film out of professional duty. The first third is tragic - the screenwriter on the set who wrote the dialogues for the characters a little in advance must have been very lethargic. Then Will jumps through time, Josh shows up, and I enjoyed myself ever since. There aren't many jokes in the film, but some of them are great and intelligent (blacks who don't steal cars, Warhol's last sitar concert...). But when Will meets Josh, a strange thing happens wherein MiB starts tugging at my heartstrings. In addition, unlike the second film, they have a pretty nice and only moderately dull story, and from the aesthetics of the 90's they are able to extract pastel oomph and several miraculous events, which must mainly impress American audiences. The simplicity seemed contagious to me, as did a certain intimacy and focus on the relationship between the two guys in black. The final twist is not done in such a way that it’s pulling your leg so that the director can show the audience an additional trick. BTW, I feel that Sonnenfeld has relatives in space and that he sent them money from the budget. But I was satisfied for the 180 crowns I spent on it.
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