Los amores imaginarios
Les Amours imaginaires
Les Amours imaginaires
Director:
Xavier DolanReparto:
Monia Chokri, Niels Schneider, Xavier Dolan, Louis Garrel, Anne Dorval, Sophie Desmarais, Olivier Morin, Anne-Élisabeth Bossé, Peter Benedict (más)Sinopsis(1)
Francis and Marie are close friends. One day, during a lunch, they meet Nicolas, a young man from the country newly arrived in town. As one rendezvous leads troublingly to another - whether real or imagined, the signs are all bad - each of the two friends slides deeper into obsessive fantasies around the same object of desire. And the deeper they slide, the more their once cast-iron friendship begins to crack under the pressure of competing for the new kid on the block. (texto oficial de la distribuidora)
(más)Reseñas (5)
Una película realmente excepcional en cuanto a la capacidad del director para expresar momentos emocionales en la química interpersonal. Especialmente si el director tiene solo 21 años y al mismo tiempo interpreta al personaje principal. Una «película para festivales» muy agradable.
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He is 21 years old and has written and made and played in a film about love. The initial smirks about what such a young man might know about film and serious topics turn into a complete fascination. Heartbeats is a sparkling affair, whether with its pop art visuals or well-listened-to dialogues. The generational testimony of contemporary forms of love runs in a modern rhythm, makes irony out of itself and works with thoughtful and catchy language of colors and musical motifs. A challenging yet extremely open film that, unlike pseudo-shocking testimony about modern debauchery, goes all the way to the bone. Without any controversy and youthful efforts to stir things up. For a man who's from a different generation, the film affected me admirably.
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Filmová výzva 2018 - Kanada. Entré en la segunda mitad de mi desafío internacional y después de una serie de películas mediocres e insípidas, me di el gusto de ver esta maravilla intelectual y artística que debe deleitar a cualquier alma francófona, a la que me adhiero con orgullo. A los veintiún años, la mayoría de las personas no saben qué hacer con sus vidas ni hacia dónde ir, y Xavier Dolan ha logrado filmar una película perfecta en términos de contenido y forma, a la que la selección musical perfectamente elegida aporta encanto. Probablemente seguiré escuchando a Isabelle Pierre durante mucho tiempo. Solo tengo palabras de admiración y elogio por la capacidad de un joven de escribir y dirigir una historia sobre sentimientos fuertes que pueden derribar y destruir tanto a una persona como a sus relaciones. Melancolía, diálogos excelentes, hermosas tomas, montones de cigarrillos y una atmósfera única. ¡Bravo!
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Once again Dolan uses a huge range of audiovisual masks in order to simulate the depth that the characters lack. He takes refuge in spatial orientation, shoots three-quarters of the frame in handheld closeups, slips into a music video several times, and tries feverishly to sell the subjective perception of destructive lovemaking. Except that he has nothing but poorly written, affected, inanimate vessels for love with no integrity. For me to be able to understand loss of self due to painful infatuation, there first has to be a self to lose. But the characters here don't exist outside of their scenes.
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It may be a bit sad, but I will remember this film not for how it deals with love and its various forms, but for the music that played during the film, which I very much enjoyed. I was enthralled by it and was carried away at times just by its tones and words. I was thrilled with the film in this respect. Not so much otherwise.
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