Nuestro día llegara

Los desesperados hacen cosas desesperadas... Esta conocida frase me parece la más apropiada para esta imagen. Un guion excelente con música intensa, actores excelentes y escenas impactantes en las que la violencia juega un papel principal. Esta película solo confirma lo diversa que es la cinematografía francesa, aunque detrás de la cámara estuviera un griego... (02.12.2010)

Un detonador emocional que pulsa por dentro, amoral pero sensible, de humor negro, psicológicamente tenso, reforzado por las enérgicas actuaciones del extrovertido Cassel y el introvertido Barthelemy. Ventilación anarquista de los errores del pasado usando a los «transeúntes» inocentes, lo que va más allá de la ley. Algo que los despersonalizados Asesinos natos de Stone pueden envidiar. (07.07.2011)

Redhead rebellion. A schizoid ride that begins as a black comedy and ends as a pure figment of insanity - misanthropy, terror, the instinct of death. A searing counterpoint to contemporary "social" idylls, and yet a film that sees into xenophobia and social segregation surprisingly deeply. The performances of the central couple are inhuman, the direction absolutely epic. Gavras is a man with a fantasy in a completely different dimension than one would expect. I wouldn't really consider calling a film about two sociopaths terrorizing the innocent “romantic" in the truest sense of the word (a fictional space of escape from reality, not milking the viewer). Although that Rachmaninoff guy says in the introduction that this is going to be something monstrously beautiful. And it is. Top 5 of 2010. (29.11.2010)

Did I understand well, that gingers aren’t human? (02.09.2012)

Such normal red-faced assassins, or red-haired anarchists on the warpath against the established unredeemed order. Whether it's a sociological probe into the origins of xenophobia, a study of the effects of bullying, or simply an insight into the sick mind of Mr Gavras, it's above all fascinating. Disturbingly fascinating. (31.12.2012)